{"title":"ROLE OF PRINTMAKING IN MEXICAN REVOLUTION","authors":"Özgür Uğuz","doi":"10.31566/arts.2.013","DOIUrl":null,"url":null,"abstract":"At the beginning of the 20th century, Mexican Art was in close contact with the political processes in the country. The emergence of different focuses in the struggle for power and the political process exhibited a very dynamic structure politicized not only the Mexican people but also the Mexican art. It has been shown in the study that the repression in the political productions of the artists existed in a privileged structure before and after the Mexican Revolution. Printmaking, which became a political artistic production tool without detaching from the artistic context in the process, constitutes the important productions of Mexican Art during this period. As emphasized in the study, the printmaking productions of artists that relate to social structure, reflect their ideological perspectives and reflect their reflexes to daily and political events are therefore an integral part of the Mexican Revolution. These productions, which have survived until today, are among the most important parts of the most productive period of Mexican Art.","PeriodicalId":45918,"journal":{"name":"International Journal of Arts Management","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2019-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Arts Management","FirstCategoryId":"91","ListUrlMain":"https://doi.org/10.31566/arts.2.013","RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
At the beginning of the 20th century, Mexican Art was in close contact with the political processes in the country. The emergence of different focuses in the struggle for power and the political process exhibited a very dynamic structure politicized not only the Mexican people but also the Mexican art. It has been shown in the study that the repression in the political productions of the artists existed in a privileged structure before and after the Mexican Revolution. Printmaking, which became a political artistic production tool without detaching from the artistic context in the process, constitutes the important productions of Mexican Art during this period. As emphasized in the study, the printmaking productions of artists that relate to social structure, reflect their ideological perspectives and reflect their reflexes to daily and political events are therefore an integral part of the Mexican Revolution. These productions, which have survived until today, are among the most important parts of the most productive period of Mexican Art.
期刊介绍:
Through publication of the International Journal of Arts Management, the Carmelle and Rémi Marcoux Chair in Arts Management contributes to HEC Montréal’s global reach while consolidating its position as a world leader in research on cultural organizations. The Chair publishes teaching materials that are used in several universities both in Quebec and elsewhere. A prime example is the book Marketing Culture and the Arts, which has been translated into 11 languages. The Chair also publishes research and conference proceedings on topics of interest to managers in the arts and cultural sector. Aims: offers insight into management processes, and the ways in which arts organizations operate within the various disciplines of management, including marketing, human resources, finance, accounting, production and operation processes, and administration; identifies and encourages the development of best practices in the management of culture and the arts, and promotes their use through the publication of case studies and analyses; addresses current issues of key relevance to cultural and arts organizations in a rigorous and detailed fashion; presents studies, measurements, and other empirical research in the field of arts and cultural management; provides a forum for challenging and debating coherent theories and models, as well as their application in cultural and arts practice.