Rosa María Suárez Muñoz, María del Mar Ortiz Camacho, Antonio Baena Extremera
{"title":"El traje escénico en la Danza Española: importancia y simbolismo","authors":"Rosa María Suárez Muñoz, María del Mar Ortiz Camacho, Antonio Baena Extremera","doi":"10.5944/RDH.41.2020.22907","DOIUrl":null,"url":null,"abstract":"Resumen: El vestuario teatral, en la genesis de un proyecto escenico de danza, se considera un elemento mas cuya importancia radica en su significacion. El objetivo general de este trabajo ha sido constatar la importancia del traje escenico como herramienta transmisora de conceptos y como elemento simbolico que aporta un sentido a la interpretacion de la Danza Espanola. Se ha estudiado el uso de este vestuario desde una perspectiva profesional (Ballet Nacional de Espana (BNE), interpretes y coreografos de reconocido prestigio) y desde una perspectiva educativa (Conservatorios Profesionales de Danza de Andalucia-Espana (CPDA)). Se ha realizado una triangulacion metodologica combinando investigacion cuantitativa y cualitativa utilizando como instrumentos basicos el cuestionario y entrevistas previamente validadas. Como conclusion, resalta la importancia otorgada al uso del vestuario teatral en la Danza Espanola como herramienta comunicativa intencional, asi como su aportacion a la interpretacion en la representacion escenica, confirmandose asi las hipotesis planteadas. Abstract: The theatrical costumes, in the genesis of a scenic dance project, are considered one more element whose importance lies in its significance. The aim of this paper has been to verify the importance of it as a communicating tool of concepts and as a symbolic element that contributes a sense to the interpretation of Spanish Dance. The use of this costume has been studied from a professional perspective ( National Ballet of Spain (BNE), renowned performers and choreographers) and from an educational perspective ( Professional Dance Conservatories of Andalusia (Spain) (CPDA)), making a methodological triangulation that combines quantitative and qualitative research, using the questionnaire and previously validated interviews as basic instruments. As a conclusion, the importance given to the use of theatrical costumes in Spanish Dance as an intentional communicative tool stands out, as well as their contribution to the interpretation in the scenic representation, confirming the hypotheses raised.","PeriodicalId":36808,"journal":{"name":"Revista de Humanidades de Valparaiso","volume":"128 24 1","pages":"11-36"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Humanidades de Valparaiso","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/RDH.41.2020.22907","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 3
Abstract
Resumen: El vestuario teatral, en la genesis de un proyecto escenico de danza, se considera un elemento mas cuya importancia radica en su significacion. El objetivo general de este trabajo ha sido constatar la importancia del traje escenico como herramienta transmisora de conceptos y como elemento simbolico que aporta un sentido a la interpretacion de la Danza Espanola. Se ha estudiado el uso de este vestuario desde una perspectiva profesional (Ballet Nacional de Espana (BNE), interpretes y coreografos de reconocido prestigio) y desde una perspectiva educativa (Conservatorios Profesionales de Danza de Andalucia-Espana (CPDA)). Se ha realizado una triangulacion metodologica combinando investigacion cuantitativa y cualitativa utilizando como instrumentos basicos el cuestionario y entrevistas previamente validadas. Como conclusion, resalta la importancia otorgada al uso del vestuario teatral en la Danza Espanola como herramienta comunicativa intencional, asi como su aportacion a la interpretacion en la representacion escenica, confirmandose asi las hipotesis planteadas. Abstract: The theatrical costumes, in the genesis of a scenic dance project, are considered one more element whose importance lies in its significance. The aim of this paper has been to verify the importance of it as a communicating tool of concepts and as a symbolic element that contributes a sense to the interpretation of Spanish Dance. The use of this costume has been studied from a professional perspective ( National Ballet of Spain (BNE), renowned performers and choreographers) and from an educational perspective ( Professional Dance Conservatories of Andalusia (Spain) (CPDA)), making a methodological triangulation that combines quantitative and qualitative research, using the questionnaire and previously validated interviews as basic instruments. As a conclusion, the importance given to the use of theatrical costumes in Spanish Dance as an intentional communicative tool stands out, as well as their contribution to the interpretation in the scenic representation, confirming the hypotheses raised.
摘要:戏剧服装,在舞台舞蹈项目的起源中,被认为是另一个元素,其重要性在于它的意义。这项工作的总体目标是验证舞台服装作为一种传递概念的工具和象征元素的重要性,为西班牙舞蹈的解释带来意义。从专业的角度(西班牙国家芭蕾舞团(BNE),著名的表演者和编舞家)和教育的角度(安达卢西亚-西班牙专业舞蹈学院(CPDA))研究了这种服装的使用。本研究采用定量和定性研究相结合的方法进行三角剖分,使用问卷和先前验证的访谈作为基本工具。在这篇文章中,我们分析了在西班牙舞蹈中使用戏剧服装作为一种有意的交流工具的重要性,以及它对舞台表演的诠释的贡献,从而证实了提出的假设。Abstract: theatrical costumes, in The genesis of a scenic舞蹈项目,是one more element谁的重视,史蒂文·索德伯格in its significance。The aim of this paper has been to verify The租用的重视of it as a tool of概念and as a symbolic element that密a sense to The interpretation of…跳舞。The use of this costume has been studied from专业观点(National芭蕾舞of Spain BNE)、renowned performers choreographers)及from an educational perspective professional跳舞Conservatories of Spain) (CPDA Andalusia), making a方法triangulation combines制定和定性研究,利用本调查问卷和事先validated交谈的基本文书。综上所述,在西班牙舞蹈中使用戏剧服装作为一种有意的交际工具的重要性,以及它们对风景表演中的诠释的贡献,证实了所提出的假设。