RAHMİ AKSUNGUR UN HEYKELLERİNDE GRİD [IZGARA FORMU] OLGUSU

IF 0.6 4区管理学 0 HUMANITIES, MULTIDISCIPLINARY International Journal of Arts Management Pub Date : 2020-05-06 DOI:10.31566/arts.3.008

Ö. Yavuz

引用次数: 0

Abstract

Rahmi Aksungur’un heykellerinin, yuzeyin tasiyici sisteminin bir sonucu olarak gorulen geleneksel heykel dilinin grameri ile tanimlanmasi oldukca zordur. Bu durum yuzeylerinin ardinda yatan insa sisteminin ve heykeltirasin onlari ele alis yonteminin analizini, onlari temellendirebilmek icin gerekli kilar. Boylesi bir temellendirme de ancak grid olgusunun Aksungur’un heykellerinde nasil ele alindiginin kavranmasi ile mumkun olabilir. Dolayisi ile bu calismada, 1970'lerin sonlarindan itibaren sanatcinin, yapitlarinda sikca karsilasilan grid olgusunu ele alis bicimi, Rosalind E Krauss ve Hannah B Higgins’in kitaplari ve denemeleri isiginda incelenmistir. Bu baglamda, Aksungur’un heykellerindeki grid yapilarina ve oruntulerine net bir sekilde odaklanarak, onun heykelinde surekli tekrar eden bu olgunun, modernist grid’in mekânsal-zamansal ve merkezcil-merkezkac argumanlari baglamindaki gelisimi tanimlanmaya calisilmistir.

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来源期刊

International Journal of Arts Management Multiple-

CiteScore

1.40

自引率

12.50%

发文量

期刊介绍： Through publication of the International Journal of Arts Management, the Carmelle and Rémi Marcoux Chair in Arts Management contributes to HEC Montréal’s global reach while consolidating its position as a world leader in research on cultural organizations. The Chair publishes teaching materials that are used in several universities both in Quebec and elsewhere. A prime example is the book Marketing Culture and the Arts, which has been translated into 11 languages. The Chair also publishes research and conference proceedings on topics of interest to managers in the arts and cultural sector. Aims: offers insight into management processes, and the ways in which arts organizations operate within the various disciplines of management, including marketing, human resources, finance, accounting, production and operation processes, and administration; identifies and encourages the development of best practices in the management of culture and the arts, and promotes their use through the publication of case studies and analyses; addresses current issues of key relevance to cultural and arts organizations in a rigorous and detailed fashion; presents studies, measurements, and other empirical research in the field of arts and cultural management; provides a forum for challenging and debating coherent theories and models, as well as their application in cultural and arts practice.