{"title":"Froben Prints and Polemics on Religion in Early Modern Eastern Europe","authors":"Dmitrii D. Galtsin","doi":"10.21638/11701/spbu02.2022.216","DOIUrl":null,"url":null,"abstract":"The article explores the Froben prints stored at the Rare Books Department of the Library of the Russian Academy of Science (Biblioteka Akademii Nauk) in Saint Petersburg. For three generations in the 16th century, Basel printers the Frobens influenced European intellectual life like no other publishing establishment, contributing to the spread of early Latin and Greek Christian literature, which determined both the development of theology and the humanities. Some copies of Froben prints are conspicuous for the history of their use which is intrinsically connected with various kinds of religious polemics in 16th and 17th century Eastern Europe. The focus of the article is the copies of Froben’s Opera omnia of St Augustine which underwent censorship in monastic libraries of the Polish-Lithuanian Commonwealth in the 16th and 17th century. The article traces the history of a number of Froben copies which belonged to notable Polish Protestants of the 16th and 17th centuries (Andrzej Trzecieski, Nicholas Radziwill the Black (“Czarny”), Andrzej Dobrzanski). The examination of the connections of Eastern European Protestants, which enabled vigorous exchange of books with Western Europe, bringing, for instance, a book from the library of the great Dutch cartographer Gerhard Mercator to the hands of a provincial Polish pastor, is carried out. Finally, the article addresses the marginalia left by Simeon of Polotsk on one of his books. These marginalia throw some new light on the question of Simeon’s genuine theological views. By examining the history of the copies from the Library of the Russian Academy of Science through the marginalia left in the 16th and 17th centuries by people of various religions, the article assesses Froben copies as a source on confessional and intellectual history of the period.","PeriodicalId":53995,"journal":{"name":"Vestnik Sankt-Peterburgskogo Universiteta-Istoriya","volume":"45 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Sankt-Peterburgskogo Universiteta-Istoriya","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/11701/spbu02.2022.216","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
The article explores the Froben prints stored at the Rare Books Department of the Library of the Russian Academy of Science (Biblioteka Akademii Nauk) in Saint Petersburg. For three generations in the 16th century, Basel printers the Frobens influenced European intellectual life like no other publishing establishment, contributing to the spread of early Latin and Greek Christian literature, which determined both the development of theology and the humanities. Some copies of Froben prints are conspicuous for the history of their use which is intrinsically connected with various kinds of religious polemics in 16th and 17th century Eastern Europe. The focus of the article is the copies of Froben’s Opera omnia of St Augustine which underwent censorship in monastic libraries of the Polish-Lithuanian Commonwealth in the 16th and 17th century. The article traces the history of a number of Froben copies which belonged to notable Polish Protestants of the 16th and 17th centuries (Andrzej Trzecieski, Nicholas Radziwill the Black (“Czarny”), Andrzej Dobrzanski). The examination of the connections of Eastern European Protestants, which enabled vigorous exchange of books with Western Europe, bringing, for instance, a book from the library of the great Dutch cartographer Gerhard Mercator to the hands of a provincial Polish pastor, is carried out. Finally, the article addresses the marginalia left by Simeon of Polotsk on one of his books. These marginalia throw some new light on the question of Simeon’s genuine theological views. By examining the history of the copies from the Library of the Russian Academy of Science through the marginalia left in the 16th and 17th centuries by people of various religions, the article assesses Froben copies as a source on confessional and intellectual history of the period.
这篇文章探讨了存放在圣彼得堡俄罗斯科学院图书馆珍本部的Froben版画。16世纪,巴塞尔印刷商Frobens家族对欧洲知识分子生活的影响超过了其他出版机构的三代人,他们对早期拉丁和希腊基督教文学的传播做出了贡献,这决定了神学和人文学科的发展。一些弗罗本版画的复制品因其使用历史而引人注目,这与16世纪和17世纪东欧的各种宗教论战有着内在的联系。这篇文章的重点是16世纪和17世纪在波兰立陶宛联邦的修道院图书馆中受到审查的Froben的《圣奥古斯丁歌剧》的副本。这篇文章追溯了一些属于16世纪和17世纪著名波兰新教徒(Andrzej Trzecieski, Nicholas Radziwill The Black(“Czarny”),Andrzej Dobrzanski)的Froben副本的历史。本书对东欧新教徒之间的联系进行了考察,这些联系使东欧与西欧之间的图书交流变得活跃起来,例如,将伟大的荷兰制图师格哈德·墨卡托图书馆里的一本书送到了一位波兰外省牧师手中。最后,文章提到了波洛茨克的西蒙在他的一本书中留下的旁注。这些旁注为西缅真正的神学观点问题提供了一些新的线索。通过16世纪和17世纪各种宗教人士留下的旁注,研究俄罗斯科学院图书馆副本的历史,本文评估了Froben副本作为该时期忏悔和思想史的来源。