The New Apprentice: Teaching Digital Technologies in Collaborative Historic Preservation Projects

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2021-10-12 DOI:10.5749/futuante.17.2.0061
Amy Van de Riet, Keith Van de Riet
{"title":"The New Apprentice: Teaching Digital Technologies in Collaborative Historic Preservation Projects","authors":"Amy Van de Riet, Keith Van de Riet","doi":"10.5749/futuante.17.2.0061","DOIUrl":null,"url":null,"abstract":"Abstract:In historic preservation research and practice, accurate documentation in the field is a priority for proper record of historic elements, particularly in the case of using this documentation to inform replication of building components. The integration of photogrammetry for purposes of documentation is becoming increasingly useful as it provides more accurate, cost-effective and considerably less equipment than other means. As such, this project pioneered a novel integration of technology with preservation education, research and practice through the replication of (eight) grotesque statues adorning an historic façade on the University of Kansas (KU) campus. The team included a pair of architects and two sibling stone carvers of Lawrence, Kansas, in addition to students from a variety of backgrounds. Students from three disciplines—KU Architecture, Sculpture, and Museum Studies programs—enrolled in coursework involving the project and participated in the collaborative workflow from documentation to 3D printing and final stone carving. Although the collaboration between architects and sculptors paralleled that in the historic construction of the building, it involved new technologies in the education of preservation architects and sculptors, thus transitioning the next generation of apprentices to technologies that may assist with preservation efforts for a wide variety of building elements, in many cases involving organic forms and complex interdisciplinary workflows.","PeriodicalId":53609,"journal":{"name":"Future Anterior","volume":"28 1","pages":"60 - 72"},"PeriodicalIF":0.1000,"publicationDate":"2021-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Future Anterior","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5749/futuante.17.2.0061","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

Abstract:In historic preservation research and practice, accurate documentation in the field is a priority for proper record of historic elements, particularly in the case of using this documentation to inform replication of building components. The integration of photogrammetry for purposes of documentation is becoming increasingly useful as it provides more accurate, cost-effective and considerably less equipment than other means. As such, this project pioneered a novel integration of technology with preservation education, research and practice through the replication of (eight) grotesque statues adorning an historic façade on the University of Kansas (KU) campus. The team included a pair of architects and two sibling stone carvers of Lawrence, Kansas, in addition to students from a variety of backgrounds. Students from three disciplines—KU Architecture, Sculpture, and Museum Studies programs—enrolled in coursework involving the project and participated in the collaborative workflow from documentation to 3D printing and final stone carving. Although the collaboration between architects and sculptors paralleled that in the historic construction of the building, it involved new technologies in the education of preservation architects and sculptors, thus transitioning the next generation of apprentices to technologies that may assist with preservation efforts for a wide variety of building elements, in many cases involving organic forms and complex interdisciplinary workflows.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
新学徒:合作历史保护项目中的数字技术教学
摘要:在历史保护研究和实践中,准确的现场文献是正确记录历史元素的首要任务,特别是在使用这些文献为建筑构件的复制提供信息的情况下。为记录目的而综合使用摄影测量法正变得越来越有用,因为它比其他手段提供更准确、成本效益高和设备少得多。因此,该项目通过复制(8)个装饰堪萨斯大学(KU)校园历史立面的奇形怪状雕像,开创了技术与保护教育、研究和实践的新颖结合。该团队包括一对建筑师和堪萨斯州劳伦斯的两个兄弟石雕师,以及来自不同背景的学生。来自堪萨斯大学建筑、雕塑和博物馆研究三个学科的学生参加了涉及该项目的课程,并参与了从文档到3D打印和最终石雕的协作工作流程。尽管建筑师和雕塑家之间的合作与建筑的历史建筑相似,但它涉及到保护建筑师和雕塑家教育的新技术,从而将下一代学徒过渡到可以帮助保护各种建筑元素的技术,在许多情况下涉及有机形式和复杂的跨学科工作流程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
0
期刊最新文献
The Life and Death of Skanderbeg Square: A Chronicle of an Undoing Foretold, in a Hundred Years Slightly Disappointing Ruins and the Facades of Tourist Imagery Dirty Industry, Heritage, and the Erasure of Immigrant Pasts The Necessary Interlinking of Culture and Climate Change Heritage Conservation in Postcolonial India: Approaches and Challenges ed. by Manish Chalana and Ashima Krishna (review)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1