Who’s Afraid of Reading Joyce’s Ulysses: Unravelling the Joycean Labyrinth in “Eumaeus”

Lara Rebeca da Mata Santa Barbara, Noélia Borges de Araújo
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Abstract

Reading Ulysses, James Joyce’s novel which was first published in 1922, may not be an easy task. In the text, Joyce does not apply his narrative to traditional, chronological, structures. Instead, the reader is challenged to dive into the stream of consciousness of its main character, Leopold Bloom. This means reading through disconnections, fragmented thoughts, Bloom’s distractions, the synesthetic elements within the narrative, and encountering a language that is full of neologisms, allusions, agglutinations, polyphonies, among other characteristics. However, such a challenge often represents a barrier to many who may feel lost or overwhelmed by that reading. For the centenary of the publication of Ulysses, this essay aims at unravelling the Joycean labyrinth through the sixteenth episode of the novel, “Eumaeus”. Following the technique of the content analysis, defined by Lauren Bardin in L’Analyse de Contenu, it is possible to present an overview of the chapter. The description and interpretation of the key aspects of the chapter will guide the readers’ navigation through the literary virtuosities, allusions, and puzzles of the book.
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谁怕读乔伊斯的《尤利西斯》:《尤迈乌斯》中的乔伊斯迷宫
阅读詹姆斯·乔伊斯于1922年首次出版的小说《尤利西斯》可能不是一件容易的事。在文本中,乔伊斯并没有将他的叙事运用到传统的、按时间顺序排列的结构中。相反,读者面临的挑战是潜入主人公利奥波德·布鲁姆的意识流中。这意味着阅读时要穿越断续、支离破碎的思想、布鲁姆的分心、叙事中的联觉元素,并遇到一种充满新词、典故、粘合、复调等特征的语言。然而,这样的挑战往往对许多人来说是一种障碍,他们可能会在阅读中感到迷失或不知所措。在《尤利西斯》出版一百周年之际,本文旨在通过小说《尤迈乌斯》的第十六集来解开乔伊斯迷宫。根据劳伦·巴尔丁在《论内容分析》中定义的内容分析技术,可以对本章进行概述。这一章的关键方面的描述和解释将引导读者通过文学的精湛技艺,典喻和书中的谜题导航。
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The Multifarious Simplicity of Jun-Pierre Shiozawa’s Illustrations for Ulysses Devouring Hometowns: James Joyce’s Dublin and Dalton Trevisan’s Curitiba A History and Experience of Bloomsday in Lisbon 2012-2022 Translation of an Excerpt from Anna Livia Plurabelle’s Final Monologue Finnegans Wake 1.1: anew begins
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