Presenting Volatile Heritage: Two Case Studies on Olfactory Reconstructions in the Museum

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2017-05-16 DOI:10.5749/FUTUANTE.13.2.0033
C. Verbeek
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引用次数: 4

Abstract

When putting an olfactory reconstruction on display in a museum, curators, conservators, and scholars face many challenges. Three aspects should be taken into account: the perceived object (the replicated scent), the perceiving subject (associations and hedonic value then and now), and the physical and infrastructural circumstances (function and context then and now). Two examples will demonstrate the opportunities and risks professionals encounter when putting scents on display in an ocularcentric, deodorized institution. The first case study deals with ancient perfumes of which residual material was found in a perfume factory dating back to 2000 B.C. The second one deals with The Beanery: a multisensory artwork by Edward Kienholz in the collection of the Stedelijk Museum, Amsterdam.
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呈现挥发性遗产:博物馆嗅觉重建的两个案例
当在博物馆展出嗅觉重建时,策展人、保护人员和学者面临许多挑战。应该考虑三个方面:感知对象(复制的气味),感知主体(当时和现在的联想和享乐价值),以及物理和基础设施环境(当时和现在的功能和背景)。两个例子将展示专业人士在一个以眼睛为中心、除臭的机构中展示气味时遇到的机会和风险。第一个案例研究涉及的是公元前2000年在一家香水工厂发现的残留物质的古代香水。第二个案例研究涉及The Beanery:由Edward Kienholz设计的多感官艺术品,目前收藏于阿姆斯特丹市立博物馆。
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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