Mobile Lives, Immobile Representations

Raili Nugin
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引用次数: 2

Abstract

The article looks at how cultural constructs of “urban” and “rural” are used in policy measures. The question is opened by analyzing twenty-five short films submitted for the competition Once upon a Time in Our Village organized by the Estonian Ministry of Agriculture and Just Film (a nonprofit organization). The competition calls for young people to “depict the future and possibilities of rural life.” The aim was to prevent out-migration of young people from the rural areas. As the data show, the films echo cultural constructions that depict the rural as opposed to the urban: traditional, quiet, and a haven of the national past. The future and technological possibilities are something that are constructed as an urban phenomenon, and thus, not present in the films.
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移动的生活,不移动的表现
本文着眼于“城市”和“农村”的文化建构如何在政策措施中使用。这个问题是通过分析爱沙尼亚农业部和Just Film(一个非营利组织)组织的“我们村庄的往事”竞赛提交的25部短片来展开的。比赛要求年轻人“描绘农村生活的未来和可能性”。其目的是防止年轻人从农村地区向外迁移。正如数据显示的那样,这些电影反映了与城市相对的农村文化建设:传统、安静和民族历史的避风港。未来和技术的可能性是作为一种城市现象而构建的,因此不会出现在电影中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
33.30%
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0
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