{"title":"Enclaves existenciales: la enfermedad terminal en la pantalla","authors":"B. Amorós","doi":"10.7764/AISTH.61.5","DOIUrl":null,"url":null,"abstract":"Este ensayo explora los recorridos filmicos que viven los sujetos protagonistas a partir de dos casos de estudio: Lightning Over Water (1979) y Sick, The Life and Death of Bob Flanagan, Supermasochist (1996). En ambos films los protagonistas viven una experiencia limite derivada de la enfermedad, que se convierte en un dispositivo activo y generador de conocimiento. En esta experiencia radical se pone de manifiesto el vinculo entre autorrepresentacion y una voluntad de autodestruccion, que nos lleva a preguntarnos sobre los margenes normativos de la racionalidad. Partiendo de los estudios de Jean-Luc Nancy, Jean Baudrillard y Clement Rosset, este texto pretende arrojar una nueva lectura sobre la enfermedad terminal, la autorrepresentacion en el contexto del dolor y el proceso voyeuristico actual de la muerte como espectaculo.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":"1 1","pages":"79-92"},"PeriodicalIF":0.3000,"publicationDate":"2017-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/AISTH.61.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
Este ensayo explora los recorridos filmicos que viven los sujetos protagonistas a partir de dos casos de estudio: Lightning Over Water (1979) y Sick, The Life and Death of Bob Flanagan, Supermasochist (1996). En ambos films los protagonistas viven una experiencia limite derivada de la enfermedad, que se convierte en un dispositivo activo y generador de conocimiento. En esta experiencia radical se pone de manifiesto el vinculo entre autorrepresentacion y una voluntad de autodestruccion, que nos lleva a preguntarnos sobre los margenes normativos de la racionalidad. Partiendo de los estudios de Jean-Luc Nancy, Jean Baudrillard y Clement Rosset, este texto pretende arrojar una nueva lectura sobre la enfermedad terminal, la autorrepresentacion en el contexto del dolor y el proceso voyeuristico actual de la muerte como espectaculo.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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