{"title":"Home and Abroad: Crossing the Mediterranean in Shakespeare's The Comedy of Errors","authors":"Geraldo U. de Sousa","doi":"10.5325/MEDITERRANEANSTU.26.2.0145","DOIUrl":null,"url":null,"abstract":"abstract:This article examines Shakespeare's The Comedy of Errors from an oceanic perspective, and explores how the play juxtaposes and interrogates home and the sea. Such an oceanic perspective requires not only a critical reassessment but also new approaches. Shakespeare gives his Mediterranean Sea a contemporary feel and raises questions about the extent to which the sea erases boundaries and shapes or challenges our sense of identity. Syracuse and Ephesus, rival merchant city-states, retaliate against each other in the play, and attempt to demarcate boundaries of influence and control. The members of Egeon's family, separated and set adrift by shipwreck, become migrants and refugees in a hostile world. In its own way, the play raises the matter of human stewardship of and impact on a maritime environment. In contested space of the Mediterranean, Shakespeare interrogates the place of home and identity.","PeriodicalId":41352,"journal":{"name":"Mediterranean Studies","volume":"13 1","pages":"145 - 158"},"PeriodicalIF":0.2000,"publicationDate":"2018-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mediterranean Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/MEDITERRANEANSTU.26.2.0145","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
abstract:This article examines Shakespeare's The Comedy of Errors from an oceanic perspective, and explores how the play juxtaposes and interrogates home and the sea. Such an oceanic perspective requires not only a critical reassessment but also new approaches. Shakespeare gives his Mediterranean Sea a contemporary feel and raises questions about the extent to which the sea erases boundaries and shapes or challenges our sense of identity. Syracuse and Ephesus, rival merchant city-states, retaliate against each other in the play, and attempt to demarcate boundaries of influence and control. The members of Egeon's family, separated and set adrift by shipwreck, become migrants and refugees in a hostile world. In its own way, the play raises the matter of human stewardship of and impact on a maritime environment. In contested space of the Mediterranean, Shakespeare interrogates the place of home and identity.
期刊介绍:
Mediterranean Studies is an interdisciplinary annual concerned with the ideas and ideals of Mediterranean cultures from Late Antiquity to the Enlightenment and their influence beyond these geographical and temporal boundaries. Topics concerning any aspect of the history, literature, politics, arts, geography, or any subject focused on the Mediterranean region and the influence of its cultures can be found in this journal. Mediterranean Studies is published by Manchester University Press for the Mediterranean Studies Association, which is supported by the University of Massachusetts Dartmouth and University of Kansas.