Copyright (and) Culture: the governance of audiovisual archives

K. Sarikakis, Olga Kolokytha, Krisztina Rozgonyi
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引用次数: 2

Abstract

Purpose This paper asks the following research question: What are the policy dynamics of copyright regulation for digital audiovisual (AV) archives in Europe and what is their potential impact? The paper aims to discuss the social relevance of archives, European cultural policies targeting operationalisation of these archives and underpinnings and sought implementation of copyright policies. Design/methodology/approach Drawing upon three European cultural policy approaches, namely, democratisation of culture, cultural democracy and governmentalisation of culture, the discussion aims to situate current legislative attempts within digital content governance and examine policy as to its proclaimed aims of broadening access. The authors deployed macro-level legal analyses of key legislative acts of the European Union (EU) with direct relevance to the availability of and accessibility to digital historical content by European citizens. The authors juxtapose relevant cultural policy interventions with the corresponding legal rules and norms in copyright legislation. The authors evaluate the ways in which normative arguments are reflected in these acts and propose reflections on documented and possible impact. Findings The authors argue that the EU’s legal direction is characterised by uncertainty of conviction and internal tensions regarding the place of common cultural heritage in EU policy, and they present a restrictive acknowledgement of what culture and heritage policy entail and, by extension, how cultural matters should be governed. Cultural heritage AV archives are examples of digital content whose governance was almost “automatically” linked to copyright. Originality/value The paper links copyright and cultural policy and demonstrates that although the EU cultural policy is based on access, availability and usability, copyright is unnecessarily restraining them with the improper design and implementation of exceptions and limitations. This reflects EU’s focus on the single market, which, in this case, is pursued at the expense of building of a European identity with shared memories.
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版权(与)文化:音像档案的治理
本文提出以下研究问题:欧洲数字视听(AV)档案版权监管的政策动态及其潜在影响是什么?本文旨在讨论档案的社会相关性,针对这些档案和基础运作的欧洲文化政策,并寻求实施版权政策。根据三种欧洲文化政策方法,即文化民主化,文化民主和文化政府化,讨论旨在将当前的立法尝试置于数字内容治理中,并检查其宣布的扩大访问目标的政策。作者对欧盟(EU)的关键立法行为进行了宏观层面的法律分析,这些立法行为与欧洲公民获取数字历史内容的可用性和可及性直接相关。作者将相关的文化政策干预与版权立法中相应的法律规则和规范并列。作者评估了规范性论点在这些行为中反映的方式,并提出了对记录和可能影响的反思。作者认为,欧盟的法律方向的特点是信念的不确定性和欧盟政策中共同文化遗产的内部紧张局势,他们对文化和遗产政策所涉及的内容以及文化事务应该如何治理提出了限制性的承认。文化遗产AV档案就是数字内容的例子,其管理几乎“自动”与版权挂钩。本文将版权和文化政策联系起来,并表明尽管欧盟的文化政策是基于获取、可用性和可用性,但版权却不必要地限制了它们,因为它们不恰当地设计和实施了例外和限制。这反映了欧盟对单一市场的关注,在这种情况下,这是以建立具有共同记忆的欧洲身份为代价的。
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