Oriental sketches by Mikhail Lermontov from the Notebook Presented by Vladimir Odoyevsky: The history of the text and semantic architectonics

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Tekst Kniga Knigoizdanie-Text Book Publishing Pub Date : 2022-01-01 DOI:10.17223/23062061/29/1
I. Kiseleva, K. Potashova
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Abstract

The aim and objectives of the study are determined by the need to reconstruct an authentic text, whose reception allows clarifying the specifics of Lermontov’s ethnographism and psychologism when creating an artistic image in the “Oriental” sketches “Correcting with a Lily Hand ...” and “On a Cloak Under the Shade of a Plane Tree ...”. The specific toolkit for analysis is the use of the primary source: its description and the compilation of a diplomatic transcription. The theoretical and methodological basis is textual, structural-semantic and cultural-historical approaches to the study of a literary text. All publications of texts are sequentially considered: from the first edition by A.A. Kraevsky in Otechestvennye zapista to the academic edition of 2014. As a result of the study, the authors have found that in all editions of the sketches there are discrepancies with autographs. In a number of cases, editorial corrections were justified, since they were associated with bringing the text to the linguistic standard, deviations from which Lermontov allowed due to the draft nature of the texts. The authors explain the swap of verses, the reasons for correcting proper names in Lermontov’s autographs; reveal incorrect publishing corrections that weaken the artistic impact of the text and belittle the skill of Lermontov as a psychologist and his ethnographic awareness; outline the role of exotic Oriental vocabulary and its changes: to recreate the Oriental color as conditioned by socio-cultural and psychological aspects. The authors propose a reasoned reconstruction of the authentic text of the sketches, which are presented as a single concept. The authors prove that the sketches are characterized by stylistic unity and are in line with Lermontov’s “Oriental” text as a whole. Their structural and conceptual study confirms that Lermontov’s works of 1841 are characterized by a synthesis of romantic and realistic principles of depiction with the priority of the realistic method. The authors draw conclusions about the aesthetic principles of Lermontov’s depiction of an “Oriental” person - about the peculiarities of characters’ individualization and typology, and determine ways of explicating the Oriental flavor. The authors show that Lermontov’s ethnographic observations concentrate on the “Oriental” topos and are characterized by accuracy, deep immersion in Caucasian ethnopsychology. The systematic analysis and the results of the reconstruction of the sketches “Correcting with a Lily Hand ...” and “On a Cloak Under the Shade of a Plane Tree ...” give grounds to speak about their importance for drawing up an integral idea of Lermontov’s creative process, including due to the small number of his draft autographs. The authors declare no conflicts of interests.
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米哈伊尔·莱蒙托夫的东方素描,来自弗拉基米尔·奥多耶夫斯基的笔记本:文本和语义建筑学的历史
研究的目的和目标是由重建真实文本的需要决定的,它的接受允许澄清莱蒙托夫在“东方”素描“用百合的手纠正……”中创造艺术形象时的民族志和心理主义的细节。和“在一棵梧桐树下的斗篷上……”分析的具体工具是使用主要来源:其描述和外交抄本的汇编。文学文本研究的理论和方法基础是文本、结构-语义和文化-历史方法。所有出版的文本按顺序考虑:从A.A. Kraevsky在Otechestvennye zapista的第一版到2014年的学术版。研究的结果是,作者发现在所有版本的草图中都有与亲笔签名不符的地方。在许多情况下,编辑更正是合理的,因为它们与使文本符合语言标准有关,莱蒙托夫允许的偏离是由于文本的草稿性质。作者解释了诗句的互换,在莱蒙托夫的签名中纠正专有名称的原因;揭示不正确的出版更正,削弱了文本的艺术影响,贬低了莱蒙托夫作为心理学家的技巧和他的民族志意识;概述了外来东方词汇的作用及其变化:在社会文化和心理方面的条件下重新创造东方色彩。作者提出了一个合理的重建草图的真实文本,这是一个单一的概念。作者论证了这些小品具有风格统一的特点,整体上符合莱蒙托夫的“东方”文本。他们的结构和概念研究证实,莱蒙托夫1841年的作品的特点是综合了浪漫主义和现实主义的描绘原则,以现实主义的方法为优先。作者总结了莱蒙托夫塑造“东方”人物的美学原则——人物的个性化和类型学特点,并确定了东方韵味的表现方式。作者认为,莱蒙托夫的民族志观察集中在“东方”主题上,其特点是准确、深入地沉浸在高加索民族心理学中。对《百合手校正》速写进行了系统的分析,并得出了重建的结果。和“在梧桐树树荫下的斗篷上……”给出了理由来谈论它们对莱蒙托夫创作过程的整体概念的重要性,包括由于他的草稿签名数量很少。作者声明没有利益冲突。
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Tekst Kniga Knigoizdanie-Text Book Publishing
Tekst Kniga Knigoizdanie-Text Book Publishing HUMANITIES, MULTIDISCIPLINARY-
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