Kosmopolska Artura Beckera – przestrzeń otwarta, przestrzeń poszukiwania własnej tożsamości

Joanna Gospodarczyk
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Abstract

As a Polish writer of German-language works, Artur Becker sees his work and his biography in his self-narrative at the interface of the German language he chose and the Polish culture and language he abandoned due to his emigration to Germany. His novels address the crisis of identity and the search for identity of his characters in exile or on their return to their homeland of Warmia and Masuria. Becker’s collection of essays, published in Polish under the title Kosmopolska i Kosmopolacy. W poszukiwaniu europejskiego domu. Eseje (2019), is also a discourse on the search for identity. The article is an attempt to characterise the Becker’s definition of the term Kosmopolska, which incidentally comes from another émigré writer, A. Bobkowski. Kosmopolska turns out to be an open space, constructed narratively, that is a space of searching for and creating one’s identity in narrative and through language. This form of defining identity is part of P. Ricoeur’s and Ch. Taylor’s concepts of narrative identity. At each stations of the journey through Kosmopolska, Becker explains the many cultural patterns and codes rooted in Polish identity, but also shares his advice, literary experts, and thus becomes a mediator between cultures.
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作为一名波兰德语作家,Artur Becker在他选择的德语和他因移民德国而放弃的波兰文化和语言的界面上的自我叙述中看到了他的作品和他的传记。他的小说讲述了流亡中的人物的身份危机和对身份的寻找,或者他们回到家乡瓦姆尼亚和马苏里亚。贝克尔的文集,以波兰语出版,书名为《Kosmopolska i Kosmopolacy》我的意思是,我是欧洲人。《Eseje》(2019)也是关于寻找身份的论述。这篇文章试图描述贝克尔对“Kosmopolska”一词的定义,这个定义偶然地来自于另一位文员A. Bobkowski。Kosmopolska变成了一个开放的空间,以叙事的方式构建,这是一个通过叙事和语言寻找和创造个人身份的空间。这种定义身份的形式是P. Ricoeur和Ch. Taylor的叙事身份概念的一部分。在Kosmopolska之旅的每一站,Becker解释了许多根植于波兰身份的文化模式和规范,同时也分享了他的建议,文学专家,从而成为文化之间的调解人。
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