Decolonizing South Asia through Heritage-and Nation-Building

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2021-03-18 DOI:10.5749/futuante.16.2.0031
Sudeshna Guha
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引用次数: 1

Abstract

Abstract:This essay builds upon the premise that heritage and decolonization share histories of obsessive emphases upon exclusive, unique and fiercely acquisitive identities. Considering that the scholarship of decolonization increasingly fixes attention upon the displays of the colonial in the realms of the former imperial powers, the aims here are to shift attention to the curation of the national within the post-colony. The essay explores histories of archaeological collections, collecting practices, museums, and exhibitions within India to illustrate the imbrication of the practices of heritage making and politics of decolonization. It highlights the pedagogic value of biographies of collections and exhibitions for analyzing the shared histories, and engages with the Authorized Heritage Discourse (AHD) of nation-making for interrogating the practices of naturalizing cultural heritage.
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通过遗产和国家建设去殖民化南亚
摘要:本文建立在遗产和非殖民化的共同历史的前提下,这些历史都过分强调排他性、独特性和强烈的占有欲。考虑到非殖民化学术越来越多地将注意力集中在前帝国列强领域的殖民地展示上,这里的目的是将注意力转移到后殖民地内部的国家策展上。这篇文章探讨了印度的考古收藏、收藏实践、博物馆和展览的历史,以说明遗产制作实践和非殖民化政治的结合。它强调了收藏传记和展览的教学价值,以分析共同的历史,并与国家制定的授权遗产话语(AHD)合作,以质疑文化遗产归化的做法。
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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