Berj Fazlian՚s “Othello” on the Armenian Stage in Canada

Anahit Bekaryan
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Abstract

From the beginning of their settlement in Canada, since the early 1900s, Armenians have been actively engaged in organizing and holding modest shows and gatherings with recitals, songs, theatrical rehearsals, and impromptu performances. Their purpose was to unite the Armenians of the community, as well as to raise funds in favour of Armenian immigrants, schools, and hospitals. Although the performances of those shows and gatherings did not have any outstanding artistic value, it is an undeniable fact that they played a significant role in educating the younger generation of Armenians in the spirit of national-cultural traditions, preserving national identity, and served their main goal of uniting the Armenians of Canada to acquaint and connect them with the national theatre. In this regard, the organizers of the aforementioned events deserve all the praise and high evaluation.
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Berj Fazlian՚在加拿大亚美尼亚舞台上的《奥赛罗》
自20世纪初亚美尼亚人在加拿大定居以来,他们一直积极组织和举办适度的表演和聚会,包括独奏会、歌曲、戏剧排练和即兴表演。其目的是团结社区内的亚美尼亚人,并为亚美尼亚移民、学校和医院筹集资金。虽然这些演出和集会的表演没有任何突出的艺术价值,但不可否认的事实是,它们在以民族文化传统的精神教育年轻一代亚美尼亚人、维护民族特性方面发挥了重要作用,并有助于实现其主要目标,即团结加拿大的亚美尼亚人,使他们熟悉并与国家剧院联系起来。在这方面,上述活动的组织者值得所有的赞扬和高度评价。
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