Sound models for synthesis: a structural viewpoint

IF 0.1 0 MUSIC Musica Tecnologia Pub Date : 2023-04-14 DOI:10.36253/music_tec-14417
Giovanni De Poli
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引用次数: 0

Abstract

For the needs of music production and multimedia art, sound synthesis algorithms are needed which are versatile, responsive to user’s expectations, and having high audio quality. It is useful to organize our intuitive sound abstracts into models. A computational model can be used for representing and generating a whole class of sounds, depending on the internal structure of the model and on the choice of control parameters. We will review some of the most important computational models that are being used for sound synthesis in musical production from the viewpoint of the model structure. Moreover, the Centro di Sonologia Computazionale of Padova University has done research on synthesis models for a long time and the main achievements in both the scientific and musical fields will be presented.
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健全的综合模型:结构观点
对于音乐制作和多媒体艺术的需求,需要通用的、响应用户期望的、高质量的声音合成算法。将我们直观的声音抽象组织成模型是很有用的。根据模型的内部结构和控制参数的选择,计算模型可以用来表示和生成一整类声音。我们将从模型结构的角度回顾一些最重要的用于音乐制作中声音合成的计算模型。此外,帕多瓦大学的Centro di Sonologia Computazionale对合成模型进行了长期的研究,并将展示科学和音乐领域的主要成果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Musica Tecnologia
Musica Tecnologia Arts and Humanities-Music
CiteScore
0.20
自引率
0.00%
发文量
4
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