Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2021-07-14 DOI:10.5195/CINEJ.2021.330
Jayakrishna Upadhyay
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引用次数: 1

Abstract

This is a reading of the film Waking Life (2001) in the framework of the Indic philosophy of ‘Vedanta,’ more specifically the ‘Advaita’ or the non-dual school of Vedanta. The film’s narrative is constructed out of the protagonist’s dreamscapes. The itinerant protagonist moves through conversations within his dreams, trying to make sense of his ‘wake walking’ situation. These conversations take the form of a more significant philosophical reflection upon the conscious life of humans. In this paper, I analyze some of these conversations and discussions from the Advaita point of view to affirm the film’s orientation towards a spiritual and metaphysical reflection on human life.
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醒着(做梦):对理查德·林克莱特醒着生活的吠檀多反思
这是在印度吠檀多哲学框架下对电影《清醒的生活》(2001)的解读,更具体地说,是吠檀多的“Advaita”或非二元学派。这部电影的叙事是由主人公的梦境构成的。漂泊的主人公在梦境中进行对话,试图弄清楚自己“醒着行走”的处境。这些对话采取了对人类有意识生活的更有意义的哲学反思的形式。在本文中,我从Advaita的角度分析了其中的一些对话和讨论,以肯定电影对人类生活的精神和形而上学反思的取向。
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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12 weeks
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