A Journal of the Plague Year by Terayama Shūji in Collaboration with Kishida Rio: “Contagious Magic” for a Time of Epidemic

IF 0.3 3区 艺术学 0 ASIAN STUDIES ASIAN THEATRE JOURNAL Pub Date : 2022-03-16 DOI:10.1353/atj.2022.0001
Tsuneda Keiko, Colleen Lanki
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Abstract

Abstract:Terayama Shūji (1935–1983), a leading figure in the Japanese avant-garde theatre movement, founded his theatre troupe Tenjō Sajiki (The Peanut Gallery) in 1967. Terayama and company member/collaborating writer Kishida Rio (1946–2003) scripted Ekibyō ryūkōki (A Journal of the Plague Year) in 1975 as the last of three plays created for a European audience. Inspired by Daniel Defoe’s fictional memoir of the same title, the play deals with isolation, denial, rage, and the many coping strategies of a community confronting a deadly epidemic. The play shows how words are a powerful contagion, and by infecting the imagination and memory, they are as much a plague as any disease. Although written and produced in 1975, with ideas from a 1772 fictional memoir about a 1665 plague in London, Terayama and Kishida’s A Journal of the Plague Year is a play for our times. It is hauntingly prescient, offering a shocking and often comical reflection of our own lives during the current COVID-19 pandemic.
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Terayama的瘟疫年杂志Shūji与岸田文雄合作里约热内卢:流行病时期的“传染性魔法”
摘要:寺山Shūji(1935-1983)是日本前卫戏剧运动的领军人物,1967年创立了“花生画廊”剧团。寺山和公司成员/合作作家岸田里奥(1946-2003)在1975年为欧洲观众创作了三部戏剧中的最后一部,编写了《瘟疫年日记ryūkōki》。该剧的灵感来自丹尼尔·笛福的同名虚构回忆录,讲述了一个社区面对致命流行病时的孤立、否认、愤怒和许多应对策略。这部戏剧展示了语言是如何强大的传染病,通过感染想象和记忆,它们就像任何疾病一样是瘟疫。尽管创作和制作于1975年,灵感来自1772年一本关于1665年伦敦瘟疫的虚构回忆录,寺山和岸田文雄的《瘟疫年日记》是一部适合我们这个时代的戏剧。它具有令人难忘的先见之明,反映了我们在当前COVID-19大流行期间的生活,令人震惊,往往是滑稽的。
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来源期刊
CiteScore
0.40
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发文量
17
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