Digitisation and Sharing of Collections: Museum Practices and Copyright During the COVID-19 Pandemic.

Mateusz Klinowski, Karolina Szafarowicz
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引用次数: 2

Abstract

This article concerns the conflict between copyright and museums' digitisation and online sharing of collections. This issue has recently become particularly important in connection with the COVID-19 pandemic. The authors outline the concept of a virtual museum and present the most important copyright provisions in EU law that may create obstacles for cultural institutions in realising virtual counterparts. To perceive copyright as the main obstacle in the process of digitisation and online sharing of collections is not unusual. Hence, the article briefly presents legal framework of the European copyright applicable to such situations. The authors argue that although copyright offers a range of possibilities for museums interested in digitising their collections, at the same time it is responsible for a chilling effect, resulting in fear of potential infringement and liability. The authors conclude that the EU's development of new legislation, coinciding with the need for digitisation and online sharing of cultural heritage caused by the pandemic, has favoured public interest at the expense of creators' rights, but still lacks satisfactory legal tools for effectively allowing cultural institutions to digitise and share their collections.

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藏品数字化和共享:新冠肺炎大流行期间的博物馆实践和版权。
这篇文章关注的是版权与博物馆数字化和藏品在线共享之间的冲突。这一问题最近在新冠肺炎大流行方面变得尤为重要。作者概述了虚拟博物馆的概念,并介绍了欧盟法律中最重要的版权条款,这些条款可能会给文化机构实现虚拟博物馆设置障碍。将版权视为藏品数字化和在线共享过程中的主要障碍并不罕见。因此,本文简要介绍了适用于这种情况的欧洲版权的法律框架。作者认为,尽管版权为有兴趣将藏品数字化的博物馆提供了一系列可能性,但同时它也造成了寒蝉效应,导致人们担心潜在的侵权和责任。作者得出结论,欧盟制定的新立法与疫情导致的文化遗产数字化和在线共享的需求相吻合,以牺牲创作者的权利为代价,有利于公众利益,但仍缺乏令人满意的法律工具来有效地允许文化机构数字化和共享其藏品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.00
自引率
25.00%
发文量
71
期刊介绍: The International Journal for the Semiotics of Law is the leading international journal in Legal Semiotics worldwide.   We are pathfinders in mapping the contours of Legal Semiotics.   We provide a high quality blind peer-reviewing process to all the papers via our online submission platform with well-established expert reviewers from all over the world. Our boards reflect this vision and mission.   We welcome submissions in English or in French.   We bridge different fields of expertise to allow a percolation of experience and a sharing of this advanced knowledge from individual, collective and/or institutional fields of competence.   We publish original and high quality papers that should ideally critique, apply or otherwise engage with semiotics or related theory and models of analyses, or with rhetoric, history of political and legal discourses, philosophy of language, pragmatics, sociolinguistics, deconstruction and all types of semiotics analyses including visual semiotics. We also welcome submissions, which reflect on legal philosophy or legal theory, hermeneutics, the relation between psychoanalysis and language, the intersection between law and literature, as well as the relation between law and aesthetics.   We encourage researchers to submit proposals for Special Issues so as to promote their research projects. Submissions should be sent to the EIC.   We aim at publishing Online First to decrease publication delays, and give the possibility to select Open Choice.   Our goal is to identify, promote and publish interdisciplinary and innovative research papers in legal semiotics.
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International Law in The Era of Blockchain: Law Semiotics. Ecosystem Vulnerability. New Semantics for International Law. Vulnerability. From the Paradigmatic Subject to a New Paradigm of the Human Condition? An Introduction. Digitisation and Sharing of Collections: Museum Practices and Copyright During the COVID-19 Pandemic. Queer Privacy Protection: Challenges and the Fight within Libraries.
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