作家与地方气息

Lise Gauvin, Édouard Glissant
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引用次数: 0

摘要

这次采访是关于格里桑特的《世界》,他将其描述为“一部破裂的小说”,其特点是“徘徊”和“漂移”,其中没有明确的叙述者,但有多种声音。“整个世界”被定义为世界的整体,因为它存在于现实和我们的愿望中。它并没有废除身份,但单根身份正在让位于根茎身份。国家成为一个文化实体,而不是一个政治实体。作家的角色是从自己的地方出发,表达对世界的想象。我们都必须努力找出混乱的不变量。这是诗学的功能,它是一种构思和表达自己与他人关系的方式。这个地方的气息与其他气息相遇,并因相遇而改变。在斯特拉斯堡举行的作家议会是作家之间团结一致的表现。
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The Writer and the Breath of Place
This interview concerns Glissant’s Tout-monde, which he describes as ‘a novel that has burst apart’, characterized by ‘wandering’ and ‘drift’, in which there is no defined narrator but multiple voices. The ‘Whole-World’ is defined as the totality of the world as it exists in its reality and in our desire. It does not abolish identities, but single root identities are giving way to rhizome-identities. The nation becomes a cultural rather than a political entity. The role of the writer is to express the imagination of the world, starting from one’s own place. We must all try to track down the invariants of chaos. It is the function of poetics, which is a way of conceiving and expressing one’s relation to oneself and the other. The breath of the place meets other breaths and is transformed by that meeting. The Writers’ Parliament held in Strasbourg is a manifestation of solidarity between writers.
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