RyŪkyŪ圆形漆盒|色彩整合方法

Débora Sarmento, M. Cavaco, Maria da Conceição Borges de Sousa
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引用次数: 0

摘要

作为Ryūkyū群岛(日本)的一个范例,这个红漆圆形盒子的历史可以追溯到大约1590年,是葡萄牙里斯本国家古代艺术博物馆(MNAA)收藏的一部分[1-2]。在jos de Figueiredo实验室(LJF)进行的保护和修复干预,考虑到它的保护状态与漆器脱落的高风险,以及随之而来的大部分装饰元素的损失,允许研究和定义方法,包括处理色彩整合[3]。它的条件,干预的类型,以及它随后的展示位置,激发了重新整合方法的选择和应用,旨在提高对盒子的阅读和装饰理解。在模拟再融合过程中使用超细水粉,确保了与组成材料的必要相容性和稳定性。
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RYŪKYŪ ROUND LACQUERED BOX | CHROMATIC REINTEGRATION METHODOLOGY
An exemplar from the Ryūkyū Islands (Japan), this red lacquer circular box dates from c.1590 and is part of the collection of the National Museum of Ancient Art (MNAA) - Lisbon, Portugal [1-2]. The conservation and restoration intervention carried out at the José de Figueiredo Laboratory (LJF), considering its state of conservation with a high risk of lacquer detachment and consequent loss of a large part of the decorative elements, allowed the study and definition of methodologies, including in the treatment of chromatic reintegration [3].  Its condition, the type of intervention, as well as its subsequent placement on display, motivated the reintegration method chooses and its application, which aimed to improve the reading and decorative understanding of the box. The use of extra-fine quality gouache in the mimetic reintegration executed ensured the necessary compatibility and stability with its constituent materials.
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