小说《媒介》中的用语。克里斯塔·沃尔夫的声音-原创和翻译。对区分建设性措词学和翻译学的贡献

Bozinka M. Petronijevic
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摘要

在小说《美狄亚》中,用词较少。克里斯塔·沃尔夫配音。它们主要作为词汇化的动词短语出现,可能有一个动词同义词作为超长词;此外,也有一些偶然的,非词汇化的短语形式可以找到。它们的数量和结构在从德语翻译成波斯尼亚语或塞尔维亚语时发生了变化;在Medeja。由瓦希丁·普雷耶维奇翻译的格拉索维中,词汇化的动词短语盛行,其中一些短语与原文中的词汇单位(LU)完全等同,另一些只是部分等同。在第二份,塞尔维亚文本,以相同的名称- Medeja。格拉索维,由Mirjana翻译成塞尔维亚语Milošević-Wittmann,短语的数量减少了;作者没有使用动词短语作为构词格,而是使用了与原文中单位仅部分等同的动词。与V. preljeviki的lu短语相比,这些短语部分同义。因此,文本失去了一些创造性和表现力。
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PHRASEOLOGISMS IN THE NOVEL MEDEA. VOICES BY CHRISTA WOLF – ORIGINAL AND TRANSLATION. A CONTRIBUTION TO DISTINGUISHING BETWEEN CONSTRUCTIVE PHRASEOLOGY AND TRANSLATOLOGY
There are relatively few phraselogisms in the novel Medea. Voices by Christa Wolf. They appear mainly as lexicalised verbal phrases, possibly with a verb synonym as a hyperonym; in addition, there are also occasional, non-lexicalised phrase-formatives to find. Their number and structure changes in translations from German into ʻBosnianʼ or the Serbian language; in Medeja. Glasovi, translated by Vahidin Preljević, lexicalised verbal phrases prevail, some of them absolutely equivalent to the lexical units (LU) in the original text, others only partially. In the second, Serbian text, under the same name – Medeja. Glasovi, translated into Serbian by Mirjana Milošević-Wittmann, the number of phraseologisms decreases; instead of verbal phrases as formatives, the author uses verbs which are only partially equivalent to the units in the original text. Compared to V. Preljević’s LU-phrasemes, these are partially synonymous. As a result, the text loses some of its creativity and expressivity.
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ANIMAL SIMILES EXPRESSING HUMAN TRAITS IN ENGLISH AND SERBIAN THE SIGNIFICANCE OF SERBIAN ORTHODOX PRIESTS AND MONKS IN THE 19THAND 20TH -CENTURY SERBIAN LITERATURE PHRASEOLOGISMS IN THE NOVEL MEDEA. VOICES BY CHRISTA WOLF – ORIGINAL AND TRANSLATION. A CONTRIBUTION TO DISTINGUISHING BETWEEN CONSTRUCTIVE PHRASEOLOGY AND TRANSLATOLOGY A DISCURSIVE APPROACH TO TEACHING GERMAN LITERATURE ON THE EXAMPLE OF THE NOVEL BRICKS AND MORTAR BY CLEMENS MEYER FORSTER’S ITALIAN NOVELS AS A TESTGROUND FOR A PASSAGE TO INDIA
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