以克莱门斯·迈耶的小说《砖瓦》为例,论述德国文学教学的方法

Marina M. Petrović-Jilih
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摘要

本文提出的定性内容分析是指现代外国文学教学对文学文本的话语、多媒体和建设性方法的渴望。文学文本在教学中的选择标准指出,无论是对话语的分析,还是对既定教学目标的实现,克莱门斯·迈耶的小说《砖瓦》都是大学文学教学的适当选择。小说中的主要人物都属于卖淫的环境,无论是从女性的角度还是从皮条客的角度来表现。内心的独白,思想的流动和令人眼花缭乱的叙事视角的变化,使我们能够详细地描绘人物的心理,而不可能将他们分为“善”和“恶”。什么是“邪恶”,被编织进现代社会,唯一的上帝是金钱。应用定性方法处理一个案例研究,该研究由克拉古耶瓦茨大学语言学和艺术学院德语研究专业的四年级学生组成。所介绍的课程在2021/2022学年夏季学期举行。本课程的目标是加强现有的文学能力和获得新的文学能力,特别是独立阅读的能力,独立的个人对文本的理解能力,对文学文本的文学价值的自主决策能力和对文本模糊性的自觉接受能力。特别注意的是有意识地掌握话语评论。这部小说的主要话语是性、权力、卖淫和金钱。这些主题被学生分解成小主题,以多媒体形式呈现。在(Anschlussgespräch)之后的对话中,试图将书中的虚拟世界转移到我们周围的所谓“真实”世界。受访者表现出较高的文学和生活知识水平。笔者认为,掌握上述能力对未来的德语外语教师至关重要。它不仅使教师能够在自己的教学中自主选择文学文本、目标和方法,而且使教师能够将话语能力传授和传递给学生,从而以人文和民主的精神对学生进行教育。
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A DISCURSIVE APPROACH TO TEACHING GERMAN LITERATURE ON THE EXAMPLE OF THE NOVEL BRICKS AND MORTAR BY CLEMENS MEYER
The presented qualitative content analysis in this paper refers to the aspirations of modern didactics of foreign literature towards discursive, multimedia and constructive approaches to literary texts. The criteria for the selection of literary texts in teaching point to the fact that the novel ʻBricks and Mortarʼ by Clemens Meyer is an adequate choice for university literature teaching, both for the analysis of the discourse and for achieving the set teaching goals. The main figures in the novel belong to the milieu of prostitution, shown both from the point of view of women and from the point of view of pimps. The internal monologues, the flow of thoughts and the dizzying change of the narrative perspective enable a detailed psychological picture of the characters and the impossibility of dividing them into ʻgoodʼ and ʻevilʼ. What is ʻevilʼ is woven into modern society where the only God is – money. The applied qualitative methodology deals with a case study, which is composed by fourth year students of German Studies at the Faculty of Philology and Arts of the University of Kragujevac. The presented classes were held in the summer semester of the academic year 2021/2022. The goals of the class are strengthening the existing literary competences and acquiring new literary competences, especially the competence of independent reading, independent individual understanding of the text, independent decision-making about the literary value of the literary text and conscious acceptance of the ambiguity of the text. Special attention is drawn to the conscious mastery of discursive comments. The main discourses of the novel are sex, power, prostitution and money. These topcis were broken down by students into subtopics, presented in multimedia presentations. In the conversation after (Anschlussgespräch), an attempt was made to transfer the fictitious world of the book to the so-called ʻrealʼ world that surrounds us. The respondents showed a high level of literary and life knowledge at their disposal. It is believed that mastering the aforementioned competencies is essential for future German as a foreign language teachers. It enables them not only to independently choose literary texts, goals and methods in their own teaching, but also to teach and transfer discursive competences to their students, thereby educating them in a humanistic and democratic spirit.
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ANIMAL SIMILES EXPRESSING HUMAN TRAITS IN ENGLISH AND SERBIAN THE SIGNIFICANCE OF SERBIAN ORTHODOX PRIESTS AND MONKS IN THE 19THAND 20TH -CENTURY SERBIAN LITERATURE PHRASEOLOGISMS IN THE NOVEL MEDEA. VOICES BY CHRISTA WOLF – ORIGINAL AND TRANSLATION. A CONTRIBUTION TO DISTINGUISHING BETWEEN CONSTRUCTIVE PHRASEOLOGY AND TRANSLATOLOGY A DISCURSIVE APPROACH TO TEACHING GERMAN LITERATURE ON THE EXAMPLE OF THE NOVEL BRICKS AND MORTAR BY CLEMENS MEYER FORSTER’S ITALIAN NOVELS AS A TESTGROUND FOR A PASSAGE TO INDIA
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