{"title":"艺术作为精神发展:瑞·查菲斯的抽象语言","authors":"M. T. Amado","doi":"10.53943/elcv.0121_09","DOIUrl":null,"url":null,"abstract":"The paper aims to examine the transformative role of art and artists, today and in the future. We have chosen as a starting point the work of a remarkable Portuguese sculptor at the leading edge: Rui Chafes, a challenger of new aesthetic paths. Chafes is a conceptual sculptor of iron and fire who seeks and aspires to abstractionism, as a novel language and a novel vision of the world. The artist thinks his work deeply, regularly publishing texts about his work and its connections with art, beauty and life. From his imaginary artistic biography, Between Heaven and Earth, a bit like Vasari’s The Lives, we will begin by presenting the sculptor’s aesthetic and plastic universe. Then we will consider the way his unique identity path turns out to be inspiring and fulfilling. This imaginary character, born in Germany in the 13th century, absorbed the spiritual medieval gothic shapes and the sense of nature, the sublime and the absolute spirit, peculiar to German Romanticism. From his long experience we highlight learning the value of life, and the love for here and now, both rooted in a density of experiences and memories; memories, places and times which interact and dialogue with his sculptures — works which cralise the spaces they inhabit as if they had always been part of them. For Rui Chafes the future of humankind depends on our ability to incorporate memory and the past into the present, and in this sense his project is a very original and promising alliance between tradition and modernity.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Arte como desenvolvimento espiritual: a linguagem abstrata de Rui Chafes\",\"authors\":\"M. T. Amado\",\"doi\":\"10.53943/elcv.0121_09\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper aims to examine the transformative role of art and artists, today and in the future. We have chosen as a starting point the work of a remarkable Portuguese sculptor at the leading edge: Rui Chafes, a challenger of new aesthetic paths. Chafes is a conceptual sculptor of iron and fire who seeks and aspires to abstractionism, as a novel language and a novel vision of the world. The artist thinks his work deeply, regularly publishing texts about his work and its connections with art, beauty and life. From his imaginary artistic biography, Between Heaven and Earth, a bit like Vasari’s The Lives, we will begin by presenting the sculptor’s aesthetic and plastic universe. Then we will consider the way his unique identity path turns out to be inspiring and fulfilling. This imaginary character, born in Germany in the 13th century, absorbed the spiritual medieval gothic shapes and the sense of nature, the sublime and the absolute spirit, peculiar to German Romanticism. From his long experience we highlight learning the value of life, and the love for here and now, both rooted in a density of experiences and memories; memories, places and times which interact and dialogue with his sculptures — works which cralise the spaces they inhabit as if they had always been part of them. For Rui Chafes the future of humankind depends on our ability to incorporate memory and the past into the present, and in this sense his project is a very original and promising alliance between tradition and modernity.\",\"PeriodicalId\":288631,\"journal\":{\"name\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53943/elcv.0121_09\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53943/elcv.0121_09","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文旨在研究艺术和艺术家在今天和未来的变革作用。我们选择了一位杰出的葡萄牙雕塑家的作品作为起点:Rui Chafes,新美学道路的挑战者。Chafes是一位铁与火的概念雕塑家,他寻求并渴望抽象主义,作为一种新的语言和一种新的世界观。这位艺术家对自己的作品进行了深入的思考,定期发表关于他的作品及其与艺术、美和生活的联系的文章。我们将从他想象的艺术传记《天地之间》(Between Heaven and Earth)——有点像瓦萨里(Vasari)的《生命》(The Lives)——开始,呈现这位雕塑家的审美和塑料宇宙。然后,我们将考虑他独特的身份道路如何变得鼓舞人心和充实。这个虚构的人物,13世纪出生在德国,吸收了中世纪哥特式的精神形态和自然的感觉,崇高和绝对的精神,德国浪漫主义所特有的。从他的长期经历中,我们强调学习生命的价值,以及对此时此地的热爱,这两者都植根于经验和记忆的密度;记忆、地点和时间与他的雕塑相互作用和对话——这些作品使他们居住的空间变得神秘,仿佛他们一直是其中的一部分。对于Rui Chafes来说,人类的未来取决于我们将记忆和过去融入现在的能力,从这个意义上说,他的项目是传统与现代之间非常原始和有希望的联盟。
A Arte como desenvolvimento espiritual: a linguagem abstrata de Rui Chafes
The paper aims to examine the transformative role of art and artists, today and in the future. We have chosen as a starting point the work of a remarkable Portuguese sculptor at the leading edge: Rui Chafes, a challenger of new aesthetic paths. Chafes is a conceptual sculptor of iron and fire who seeks and aspires to abstractionism, as a novel language and a novel vision of the world. The artist thinks his work deeply, regularly publishing texts about his work and its connections with art, beauty and life. From his imaginary artistic biography, Between Heaven and Earth, a bit like Vasari’s The Lives, we will begin by presenting the sculptor’s aesthetic and plastic universe. Then we will consider the way his unique identity path turns out to be inspiring and fulfilling. This imaginary character, born in Germany in the 13th century, absorbed the spiritual medieval gothic shapes and the sense of nature, the sublime and the absolute spirit, peculiar to German Romanticism. From his long experience we highlight learning the value of life, and the love for here and now, both rooted in a density of experiences and memories; memories, places and times which interact and dialogue with his sculptures — works which cralise the spaces they inhabit as if they had always been part of them. For Rui Chafes the future of humankind depends on our ability to incorporate memory and the past into the present, and in this sense his project is a very original and promising alliance between tradition and modernity.