{"title":"张光裕与《满华西游记》的意象想象","authors":"John A. Crespi","doi":"10.1525/luminos.97.d","DOIUrl":null,"url":null,"abstract":"The artist uses the satirical tenor of manhua to probingly turn these perverse phenomena into images for the gaze of all Chinese people, awakening the souls of every Chinese person and reminding them never to forget the crimes and sorrows of the war. Manhua Journey to the West is thus more than a manhua exhibition. It is a history of modern Chinese society, a milestone for China’s War of Resistance. —Hsin-Min Bao Wankan (Xinmin bao wankan, Chengdu), February 7, 1946","PeriodicalId":338259,"journal":{"name":"Manhua Modernity: Chinese Culture and the Pictorial Turn","volume":"254 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Zhang Guangyu and the Pictorial Imagination of Manhua Journey to the West\",\"authors\":\"John A. Crespi\",\"doi\":\"10.1525/luminos.97.d\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The artist uses the satirical tenor of manhua to probingly turn these perverse phenomena into images for the gaze of all Chinese people, awakening the souls of every Chinese person and reminding them never to forget the crimes and sorrows of the war. Manhua Journey to the West is thus more than a manhua exhibition. It is a history of modern Chinese society, a milestone for China’s War of Resistance. —Hsin-Min Bao Wankan (Xinmin bao wankan, Chengdu), February 7, 1946\",\"PeriodicalId\":338259,\"journal\":{\"name\":\"Manhua Modernity: Chinese Culture and the Pictorial Turn\",\"volume\":\"254 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Manhua Modernity: Chinese Culture and the Pictorial Turn\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/luminos.97.d\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Manhua Modernity: Chinese Culture and the Pictorial Turn","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/luminos.97.d","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Zhang Guangyu and the Pictorial Imagination of Manhua Journey to the West
The artist uses the satirical tenor of manhua to probingly turn these perverse phenomena into images for the gaze of all Chinese people, awakening the souls of every Chinese person and reminding them never to forget the crimes and sorrows of the war. Manhua Journey to the West is thus more than a manhua exhibition. It is a history of modern Chinese society, a milestone for China’s War of Resistance. —Hsin-Min Bao Wankan (Xinmin bao wankan, Chengdu), February 7, 1946
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