吉米“散居”中“家园欲望”的形成与实现

R. Timalsina
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摘要

尼泊尔侨民的家在哪里?尼泊尔还是他们的家吗?最近的散居理论对传统的家和祖国概念提出了质疑。他们的位置已经被“家园欲望”的话语所取代,即在东道国建立家园的愿望。这样的家既有他们离开后的家的品质,也有他们在东道国看到的标准的家的品质。在尼泊尔侨民中,这样的主题也悄悄进入了文学创作。本文分析了哈里·吉米尔的诗歌《散居》,以了解它是如何描述“家园欲望”的发展和实现的。诗的作者在诗的开头表达了他对家乡的渴望,也就是说,他自己在散居他乡时感到舒适。后来他很高兴,因为愿望的实现。这一分析主要基于Avtar Brah的“归巢欲望”理论。萨尔曼·拉什迪的“想象家园”思想和萨拉·艾哈迈德的全球化时代的家的概念的见解被用来支持和扩展布拉的理论立场。希望本文能在尼泊尔侨民及其文学研究中,鼓励对“故土渴望”的进一步探讨。
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Formation and Fulfillment of 'Homing Desire' in Ghimire's "Diaspora"
Where is the home of Nepali diasporans? Is Nepal still their home? The recent theory of diaspora questions the traditional notions of home and homeland. Their place has been taken by the discourse of ‘homing desire’ that is the desire to make a home in the host land. Such a home has the quality of both of the homes that is the home they have left behind and the standard home they see in the host land. In Nepali Diaspora, too, such a theme has crept into literary creations. In this article Hari Ghimire’s poem “Diaspora” has been analysed so as to see how it depicts the development of ‘homing desire’ and its fulfilment. The speaker of the poem, in the beginning, expresses his desire to home, i.e. feel comfortable, himself in the diaspora. Later he is happy because of the fulfilment of the desire. This analysis is primarily based on Avtar Brah’s theory of ‘homing desire’. The insights of Salman Rushdie’s idea of ‘imaginary homeland’ and Sara Ahmed’s concept of home in the globalized time have been used to support and extend Brah’s theoretical stand. It is hoped that this article will encourage further discourse on ‘homing desire’ in the study of Nepali Diaspora and its literature.
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