从石室结构看海南方山里的长宫墓

Youngjoo Choi
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摘要

本文以海南邦山里长宫古墓的发掘成果为基础,回顾了长宫古墓石室的结构特征,考察了长宫古墓出现的背景和意义。长宫古墓被认定为日本九州地区的“开棺”和多室结构,被理解为受建筑石材和本土建造方法(密封土)的材料限制而建造的“创造性类型”。从结构上看,与长寿宫古墓的石室相似,可以确定为日本濑户内沿海地区的萨巴三代式石室。其中,黑冢冢前部分的石室在大小、平面形态、墙石施工方法、天花板石的形状、墓室与前房的天花板高度、正门门柱的形状等方面都与长工宫古墓非常相似。长宫古墓和萨巴三代式石室对应的是九州式石室影响下结合本土特色的“创意”石室。“创意”石室的出现,是在5世纪以后百济与日本建立了新的关系,开辟了新的路线的背景下产生的。在这种交流与协商互动中,以海南长宫古墓和日本濑户内海的萨巴、三代地区为代表的势力,积极利用与沿海路线路径相对应的地缘政治点,从中介的角度推动增长,由此推定“创造性”石室被创造出来。
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The Janggobong Ancient Tomb in Bangsan-ri, Haenam viewed from the stone chamber structure
Based on the results of the excavation of the Janggobong Ancient Tomb in Bangsan-ri, Haenam, this paper reviewed the structural characteristics of the stone chamber and examined the background and meaning of the emergence of the Janggobong Ancient Tombs. The Janggobong Ancient Tomb is identified as the “open coffin” in the Kyushu region of Japan and multiple chamber structures and are understood as “the creative type” built by the material limitations of construction stone and indigenous construction methods (sealed soil). Considering that it is structurally similar to the stone chamber of the Janggobong Ancient Tomb, it is identified as the Saba-Mitoyo-type stone chamber in the Setouchi coastal area of Japan. Among them, the stone chamber in the front part of the Kurumazuka Ancient Tomb is very similar to that of the Janggobong Ancient Tomb in the size and planar form, the wall stone construction method, the shape of the ceiling stone, the ceiling height of the tomb room and the front room, and the shape of the door pillars at the main gate. The Janggobong Ancient Tomb and the Saba-Mitoyo-type Stone Chamber correspond to the “creative” stone chamber combined with indigenous characteristics under the influence of Kyushu-type stone chamber. The emergence of the “creative” stone chamber has the background of interaction between Baekje and Japan after the 5th century, when a new relationship was established and routes were pioneered. In this exchange and negotiation interaction, the forces represented by the Janggobong Ancient Tomb in Haenam and the Saba and Mitoyo regions of the Setouchi Sea in Japan actively used geopolitical points corresponding to the path of coastal routes to promote growth from an intermediary's point of view, and as a result, it is presumed that the “creative” stone chamber was created.
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