Antoni Romuald Chodyński
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摘要

M.B. Valentini“Museum museorum”的作品和Gdańsk图书收藏中的其他博物馆学出版物及其在17和18世纪自然历史收藏形成中的意义1700年之后,我们观察到有意识的收藏家收集艺术作品,自然物品和各种奇珍异宝的数量明显增加-奇迹,典型的许多巴洛克式“房间”(Kammer)是由收藏家在之前,17世纪创建的。迈克尔·伯恩哈德·瓦伦蒂尼(1657-1729)是黑森州宫廷的御医,他出版了一本百科全书式的知识汇编,这是一本为博物学标本收藏者准备的著作,名为《博物馆》(第1 - 2卷,1704-1714年,美因河畔法兰克福)。Valentini为研究人员和收藏家提供了在旧世界和新世界以及亚洲(印度)发现的各种值得注意的事物的信息,有时超出了以前知识的限制。Valentini的作品可以看作是真正的收藏家狂热的证据,不仅针对各种稀有和奇怪的东西(好奇心),而且针对研究目的而收集的研究对象,特别是在阿尔卑斯山以北的国家(例如天然琥珀和含有昆虫夹杂物的琥珀)。这位德国作家在他提出的创建理想的现代博物馆的方案中建议,应该将物品分成小组,例如自然物和人工物品,然后再分成更详细的小组,以便使它们更容易看到,其内容更容易理解,从而丰富周围世界的知识。
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Dzieło M.B. Valentiniego Museum museorum i inne publikacje muzeograficzne z gdańskich księgozbiorów oraz ich znaczenie w kształtowaniu zbiorów przyrodniczych i artystycznych w XVII i XVIII wieku
The work of M.B. Valentini “Museum museorum” and other museographical publications from the Gdańsk book collections and their significance in the formation of the natural history collections in the 17th and 18th centuries After 1700 we observe a clear increase in the number of conscious collectors gathering works of art, naturalia and various curiosities – mirabilia, typical of many Baroque “chambers” (Kammer) that were created by collectors during the previous, 17th century. Michael Bernhard Valentini (1657–1729), court physician at the court of the Landgrave of Hessen, published a compendium of encyclopaedic knowledge, a work for academic collectors of natural history specimens, entitled Museum museorum (Vol. I–II, Frankfurt am Main 1704–1714). Valentini provided information about various noteworthy things found in the Old and New World as well as in Asia (India), sometimes exceeding the limits of previous knowledge, both for researchers and collectors. Valentini’s work may be seen as evidence of a real collector’s fever, directed not only at all kinds of rare and curious things (curiosities) but also research objects collected for study purposes, especially in countries north of the Alps (e.g. natural amber and amber with insect inclusions). This German author recommended in his proposed programme for the creation of an ideal modern museum that objects should be arranged into groups, for example naturalia and artificialia and then divided into more detailed subgroups in order to make them more visible and their content more comprehensible, therefore enriching the knowledge of the surrounding world.
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