达尔作品中的东方主义

Bakhtiyor R. Rakhmanov
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引用次数: 0

摘要

弗拉基米尔·伊万诺维奇·达尔是一位著名的词典编纂者、军医、民族志学家、民俗学家和作家。在俄罗斯与东方文学联系的背景下,达尔的作品以东方动机吸引了研究者的注意,但只有一小部分研究者和读者知道。因此,本文的目的是对达尔作品中体现东方主义的特点提出一些看法。达尔的作品展现了东方历史的图景,让俄罗斯读者了解了鞑靼人、巴什基尔人和哈萨克人的民间传说和民族志。这些东方作品大致可分为以下几类:科学作品、东方寓言、东方故事和历史人物作品。第一类包括民族志性质的作品。俄罗斯读者通过俄罗斯囚犯的眼睛或亚洲人的话语,丰富了科学信息,了解了东方人民的生活。另一类包括东方寓言。从“东方寓言与童话”的循环分析V.I.达尔的作品,允许将寓言“索莱曼与猫头鹰”,“索莱曼与乌鸦”,“哈里发画家”指道德寓言和寓言“加拉-老师和学生”,“帕迪沙的梦想”,“小偷和遮遮遮掩者”,“谢赫·纳伊穆丁”指宗教寓言。从大量达尔的东方动机作品中,文学评论研究了与东方故事类型相关的作品,如《羊》、《米罗涅加公主的故事》等。与历史人物相关的东方材料——《丁孜可汗的一生》(1843)、《阿克萨克-帖木儿的故事》(1838)是基于历史人物的生活和活动。这些作品的基础是纪实作品(与被描述的作品同时代)或东方民间故事和传说。作品以历史事件为基础,穿插着“神话传说”,点缀着“奢华”。达尔诉诸东方主题的原因很简单:不了解俄罗斯帝国亚洲民族的文学是不允许的,忽视这些文学是可耻的。
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ORIENTALISM IN THE WORK OF V.I. DAHL
Vladimir Ivanovich Dahl is known as a lexicographer, military doctor, ethnographer, folklorist and writer. In the context of Russian-Oriental literary ties, the work of V.I. Dahl attracts the attention of researchers by oriental motives, which are known to a narrow circle of researchers and readers. And therefore, the purpose of the article is to give an idea of manifesting the orientalism specifics in V.I. Dahl works. Pictures of the Orient history are presented in V.I. Dahl works, acquainting Russian reader with Tatars, Bashkirs and Kazakhs folklore and ethnography. These oriental works can be loosely divided into following groups: scientific works, oriental parables, oriental stories, and works about historical figures. The first group includes works of an ethnographic nature. Russian reader was enriched with scientific information, information on the Oriental people’s life through the eyes of a Russian prisoner or from the words of Asia people. Another group includes oriental parables. Analysis of V.I. Dahl works from the cycle “Oriental parables and fairy tales” allowed to refer the parables “Soleiman and the owl”, “Soleiman and the crow”, “Caliph painter” to the moralizing ones and the parables “Gallas – teacher and student”, “Padishah’s dream”, “The Thief and the Concealer”, “Sheikh Najmuddin” to the religious. From a wide range of V.I. Dahl works on oriental motives the literary criticism studied works related to the genre of oriental stories, for instance “Sheep”, “The Tale of Princess Milonega...”. Oriental material associated with historical figures – “The Life of Dzhingizkhan” (1843), “The Story of Aksak-Timur” (1838) is based on the life and activities of a historical person. Such works are based on documentary works (contemporaries of the described one) or on the oriental folk tales and legends. The basis of the works is historical events, interspersed with “fabulous legends” and decorated with “extravagance”. The reason for Dahl’s appeal to oriental themes is banally simple: it is impermissible not to know and it is shameful to neglect the literature of the Asian peoples of the Russian Empire.
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ORIENTALISM IN THE WORK OF V.I. DAHL STYLISTIC ADEQUACY OF TRANSLATION WHEN TRANSFERRING TAJIK FIGURES OF CONTRAST INTO RUSSIAN THE MIRCOWORLD OF THE LOGICAL AND MODAL PARTICLES. OUTLINES TO LINGUISTIC “PORTRAIT” OF DAZHE THE FORMATION OF THE IMAGE OF THE VICTORIAN NOVEL IN THE “VESTNIK EVROPY” (1870S) THE PROBLEM-AXIOLOGICAL APPROACH TO TEACHING OF FOREIGN LANGUAGE FOR STUDENTS’ NON-NATIVE SPEECH
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