至高者:佩特里西哲学中的超越性及其“Kataphatic”特征

L. Alexidze
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引用次数: 1

摘要

12世纪格鲁吉亚新柏拉图主义者Ioane Petritsi在其《普罗克劳斯的神学要素注释》的序言中认为,《普罗克劳斯的要素》的主题是至上论。在佩特里西看来,普罗克劳斯的功绩在于阐述了“纯粹”的哲学,绝对超越的哲学,即使是智力也无法感知。另一方面,在佩特里西的解释中,至上是万物的原因,包括物质,它有一些积极的(“kataphatic”)特征,这些特征与它的超本质是分不开的。这些主要是,它的因果关系和生产力,它的意志和天意的活动。本文的目的是分析《佩特里西注释》中的至尊是什么,并回答以下问题:至尊的绝对超越性和它的积极特性是相互矛盾的还是在某种程度上相互兼容的?我认为,为了使从至上者的第一个方面(它的超越性)过渡到另一个方面(它的生产力)更加连贯,佩特里西试图在本体论层次中再引入一个在至上者之后,在诸神之前的层次。在我看来,这“第二个”,几乎与最高的超越的一个分不开,是它的另一个方面,代表它的生产活动。出于同样的目的,我认为,Petritsi将“一”的创造性方面与逻各斯/上帝之子等同起来,在某些情况下,也与柏拉图的“造物主”等同起来。
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The Supreme One: Its Transcendence and its ‘Kataphatic’ Characteristics in Ioane Petritsi’s Philosophy
In the prologue to his Commentary on Proclus’ Elements of theology Ioane Petritsi, Georgian Neoplatonist of the twelfth century, argues that the main subject of Proclus’ Elements is the theory of the supreme One. In Petritsi’s opinion, Proclus’ merit was to elaborate the philosophy of the ‘pure’, absolutely transcendent One which is unperceivable even for the Intellect. On the other hand, the supreme One is, in Petritsi’s interpretation, the cause of everything, including matter, and It has some positive (‘kataphatic’) characteristics which cannot be separated from Its hyper-essence. These are, mainly, Its causality and productivity, Its will and providential activity. The aim of this article is to analyse, what the supreme One is in Petritsi’s Commentary and to answer the following question: Do the absolute transcendence of the supreme One and Its positive characteristics contradict each other or are they in a certain way compatible with each other? I argue that for making the transition from the first aspect of the supreme One (Its transcendence) to another one (Its productivity) more coherent, Petritsi made an attempt to introduce in the ontological hierarchy one more one after the supreme One and before the Henads. In my opinion, this ‘second one’, which is almost inseparable from the supreme transcendent One, is Its another aspect, representing Its productive activity. For the same purpose, as I think, Petritsi identified the creative aspect of the One with the Logos/the Son of God and, in certain cases, also with Plato’s Demiurge.
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