{"title":"Bunyi Gamelan Angklung Dalam Upacara Pitra Yadnya Di Kota Mataram (Ditinjau Dari Perspektif Sosiologi)","authors":"Ni Luh Eka Yuli Anggreni","doi":"10.53977/sd.v4i2.408","DOIUrl":null,"url":null,"abstract":"Some Hindu communities in the city of Mataram know that Gamelan Angklung is only used and serves to accompany the Pitra Yadnya ceremony or cremation because the sound produced by the tone or blade on the Gamelan Angklung has an impression that creates a sense of emotion and an atmosphere of sadness, then the sound of gending The sound produced from the angklung gamelan instrument is considered to sound always the same or monotonous between one type of gending and another when accompanying the Pitra Yadnya ceremony procession. \nFrom the background above, there are several problems that are studied, including: 1) What is the perception of the people in the West Karang Medain Region towards the sound of gamelan angklung in the Pitra Yadnya ceremony in Mataram City, 2) What is the essence of the sound of gamelan angklung in the Pitra Yadnya ceremony in the City of Mataram is viewed from a sociological perspective. This study uses a qualitative research method with a phenomenological approach. The problems studied used two theories, namely the theory of taste, and the theory of symbolic interactionism. \nThe results of this study are as follows: People's perception of the West Karang Medain region to the sound of the angklung gamelan in the Pitra Yadnya ceremony in Mataram City, namely: 1). In terms of context of use, 2). In terms of the type of percussion, 3). In terms of how to enjoy it. The essence of the sound of the angklung gamelan in the Pitra Yadnya ceremony in Mataram City is viewed from a sociological perspective, including that: 1). The sound of the angklung gamelan in the Pitra Yadnya ceremony is used to accompany the ceremony and as a medium of information about the existence of a ceremonial procession or a natural means of social communication. 2). The sound of gamelan angklung indirectly and scientifically as a means of interaction to establish togetherness, connect friendship and brotherhood, generate social emotions, generate atmosphere and feeling, and learn social ethics. 3). The sound of gamelan angklung as a means of creating harmonization of life, be it with God, humans with humans, or humans with the universe.","PeriodicalId":333513,"journal":{"name":"Sophia Dharma: Jurnal Filsafat, Agama Hindu, dan Masyarakat","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sophia Dharma: Jurnal Filsafat, Agama Hindu, dan Masyarakat","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53977/sd.v4i2.408","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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摘要

马塔兰市的一些印度教社区知道,甘美兰Angklung只用于Pitra Yadnya仪式或火葬,因为甘美兰Angklung的音调或叶片发出的声音给人一种印象,能产生一种情感和悲伤的气氛,从angklung gamelan乐器发出的声音被认为在一种和另一种类型的gending之间总是相同或单调的,当伴随着Pitra Yadnya仪式游行时。从以上背景出发,研究了几个问题,包括:1)西卡朗棉兰地区的人们对马塔兰市Pitra Yadnya仪式中甘美兰angklung的看法是什么? 2)从社会学的角度来看待马塔兰市Pitra Yadnya仪式中甘美兰angklung的本质是什么?本研究采用现象学方法的定性研究方法。所研究的问题使用了两种理论,即味觉理论和符号互动理论。本研究的结果如下:马塔兰市Pitra Yadnya仪式中,人们对West Karang Medain地区angklung gamelan声音的感知,即:1)使用语境方面,2)打击类型方面,3)如何享受。从社会学的角度看待马塔兰市Pitra Yadnya仪式中angklung gamelan声音的本质,包括:1)Pitra Yadnya仪式中angklung gamelan的声音是用来陪伴仪式的,是一种关于仪式游行存在的信息媒介或一种自然的社会交流手段。2)甘美兰的声音间接地、科学地作为一种互动的手段,建立团结,连接友谊和兄弟情谊,产生社会情感,产生氛围和感觉,学习社会伦理。甘美兰(gamelan angklung)的声音是创造生命和谐的一种手段,无论是与上帝、人与人、人与宇宙。
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Bunyi Gamelan Angklung Dalam Upacara Pitra Yadnya Di Kota Mataram (Ditinjau Dari Perspektif Sosiologi)
Some Hindu communities in the city of Mataram know that Gamelan Angklung is only used and serves to accompany the Pitra Yadnya ceremony or cremation because the sound produced by the tone or blade on the Gamelan Angklung has an impression that creates a sense of emotion and an atmosphere of sadness, then the sound of gending The sound produced from the angklung gamelan instrument is considered to sound always the same or monotonous between one type of gending and another when accompanying the Pitra Yadnya ceremony procession. From the background above, there are several problems that are studied, including: 1) What is the perception of the people in the West Karang Medain Region towards the sound of gamelan angklung in the Pitra Yadnya ceremony in Mataram City, 2) What is the essence of the sound of gamelan angklung in the Pitra Yadnya ceremony in the City of Mataram is viewed from a sociological perspective. This study uses a qualitative research method with a phenomenological approach. The problems studied used two theories, namely the theory of taste, and the theory of symbolic interactionism. The results of this study are as follows: People's perception of the West Karang Medain region to the sound of the angklung gamelan in the Pitra Yadnya ceremony in Mataram City, namely: 1). In terms of context of use, 2). In terms of the type of percussion, 3). In terms of how to enjoy it. The essence of the sound of the angklung gamelan in the Pitra Yadnya ceremony in Mataram City is viewed from a sociological perspective, including that: 1). The sound of the angklung gamelan in the Pitra Yadnya ceremony is used to accompany the ceremony and as a medium of information about the existence of a ceremonial procession or a natural means of social communication. 2). The sound of gamelan angklung indirectly and scientifically as a means of interaction to establish togetherness, connect friendship and brotherhood, generate social emotions, generate atmosphere and feeling, and learn social ethics. 3). The sound of gamelan angklung as a means of creating harmonization of life, be it with God, humans with humans, or humans with the universe.
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EKSISTENSI MANUSIA PANCASILAIS DEWASA INI DARI PERSPEKTIF KONSEP MANUSIA PERSONALIS EKSISTENSI PEMENTASAN TARI BARONG DAN RANGDA PERAN AGAMA DAN FILSAFAT SEBAGAI LANDASAN PENDIDIKAN MORAL BANGSA LOGIKA DAN METODE PENALARAN DALAM PERSPEKTIF FILSAFAT NYĀYA DARŚANA PERILAKU KONSUMTIF MASYARAKAT INDONESIA DALAM PERSPEKTIF HERBERT MARCUSE
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