富有想象力的医学:对诗歌、疾病和痛苦的创造性思考

Jill S Kuhnheim
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摘要

本文考察了墨西哥诗人Pura López-Colomé(1952-)的《Via Corporis》和美国诗人Hillary Gravendyk(1979-2014)的《Harm》两本书中的诗歌,这两本书提供了当代抒情诗与痛苦和疾病有关的两个不同的例子。在每一个案例中,这些诗人都展示了在歌词中构建的痛苦如何创造自己的语言,自己的诗歌语料库或与身体的关系,以及与更广泛的文化背景的独特方法。以互补的方式,这两位诗人用他们富有想象力的声音来体现或赋予形式,并创造对疾病经历的同情,虽然在某种程度上是普遍的,但可能经常被回避或被认为是不可代表的。这些诗人的作品说明了诗歌语言如何在叙事之外进行交流,为表达和理解痛苦开辟了其他途径。Gravendyk和Lopez colom通过使用图像、声音、视角、文字游戏和比喻性语言,提取身体领域发生的事情,构建出神秘的诗歌,这些诗歌让人们对疾病和痛苦的现有表现感到惊讶,甚至可能是挑战。
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Imaginative Medicine: Thinking Creatively about Poetry, Illness, and Pain
This essay examines poems from the books Via Corporis by Mexican poet Pura López-Colomé (1952-) and Harm by U.S. poet Hillary Gravendyk (1979-2014), which offer two different contemporary examples of lyric poetry’s engagement with pain and illness. In each case these poets demonstrate how pain as constructed in the lyric creates its own language, its own poetic corpus or relationship to the body, and distinct approaches to broader cultural contexts. In complementary ways these two poets use their imaginative voices to embody or give form to and create empathy for experiences of illness that, while to some degree universal, may often be side- stepped or considered unrepresentable. These poets’ work illustrates how poetic language can communicate beyond narrative, opening other avenues to express and understand pain. Gravendyk and Lopez Colomé extract what happens in the physical realm and through the use of image, sound, perspective, word play, and figurative language, to construct enigmatic poems that surprise and perhaps challenge existing representations of illness and pain.
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