{"title":"语言的混合","authors":"Isabel Ponce de Leão","doi":"10.53943/elcv.0221_10","DOIUrl":null,"url":null,"abstract":"From an attempt to conceptualize art, supported by several theorists, emerges the observation of the interaction of its languages as a way to optimize the message. Art presents itself as a form of response to the situation of contemporary society without obliterating retroactive and prospective dimensions, advanced here through concrete examples focusing on post-colonialism.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Miscigenação de linguagens\",\"authors\":\"Isabel Ponce de Leão\",\"doi\":\"10.53943/elcv.0221_10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"From an attempt to conceptualize art, supported by several theorists, emerges the observation of the interaction of its languages as a way to optimize the message. Art presents itself as a form of response to the situation of contemporary society without obliterating retroactive and prospective dimensions, advanced here through concrete examples focusing on post-colonialism.\",\"PeriodicalId\":288631,\"journal\":{\"name\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53943/elcv.0221_10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53943/elcv.0221_10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
From an attempt to conceptualize art, supported by several theorists, emerges the observation of the interaction of its languages as a way to optimize the message. Art presents itself as a form of response to the situation of contemporary society without obliterating retroactive and prospective dimensions, advanced here through concrete examples focusing on post-colonialism.
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