{"title":"n.v.果戈理的《阿拉伯镶边》和《柳波穆德斯》的创造力","authors":"V. Denisov","doi":"10.37386/2305-4077-2021-2-74-86","DOIUrl":null,"url":null,"abstract":"The article is devoted to the correlations with the works of “lyubomudrs” (“wise men”) in N. V. Gogol’s collection of “Arabesques” (1835). Most of these reminiscences are associated with two parts of the “Works of D. Venevitinov” - “Poems” (1829) and “Prose” (1831), which became the focus of the aesthetic and philosophical ideas of “lyubomudriye”” (“love to wisdom”). However, visible connections with him do not exclude the originality of Gogol’s decisions, which not only developed and transformed the romantic concept, but in some ways contradicted it.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"«ARABESKUES» BY N.V. GOGOL AND CREATIVITY OF «LYUBOMUDRS»\",\"authors\":\"V. Denisov\",\"doi\":\"10.37386/2305-4077-2021-2-74-86\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to the correlations with the works of “lyubomudrs” (“wise men”) in N. V. Gogol’s collection of “Arabesques” (1835). Most of these reminiscences are associated with two parts of the “Works of D. Venevitinov” - “Poems” (1829) and “Prose” (1831), which became the focus of the aesthetic and philosophical ideas of “lyubomudriye”” (“love to wisdom”). However, visible connections with him do not exclude the originality of Gogol’s decisions, which not only developed and transformed the romantic concept, but in some ways contradicted it.\",\"PeriodicalId\":187515,\"journal\":{\"name\":\"Culture and Text\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture and Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37386/2305-4077-2021-2-74-86\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37386/2305-4077-2021-2-74-86","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
«ARABESKUES» BY N.V. GOGOL AND CREATIVITY OF «LYUBOMUDRS»
The article is devoted to the correlations with the works of “lyubomudrs” (“wise men”) in N. V. Gogol’s collection of “Arabesques” (1835). Most of these reminiscences are associated with two parts of the “Works of D. Venevitinov” - “Poems” (1829) and “Prose” (1831), which became the focus of the aesthetic and philosophical ideas of “lyubomudriye”” (“love to wisdom”). However, visible connections with him do not exclude the originality of Gogol’s decisions, which not only developed and transformed the romantic concept, but in some ways contradicted it.
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