奥库扎瓦历史小说:艺术人类学的某些方面

E. Matyushkina
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摘要

本文研究的主题是文学人类学,这在B. Okudzhava的历史散文中有所体现。分析的目的是研究奥库扎娃历史小说的文学人类学的某些方面。研究的方法由任务的性质决定,以历史文学、社会文化方法以及对艺术作品的整体分析为基础。研究结论体现了奥库扎瓦的一些文学人类学原则:1)对奥库扎瓦来说,精神价值的主要载体和衡量标准是俄罗斯知识分子,历史在他的小说中是人格道德验证的语境;2)对于B. Okudzhava来说,人类存在的最重要的本体论常数之一是希望,它无形地存在于生活中;3) B. Okudzhava的人具有条件、宿命和事件和行为的必然性观念;4)通过b·奥库扎娃的所有小说,他的主旨都是:在历史之外没有独立的人类自由,重要的历史事件即使对不知情的目击者来说也不能保持外在;5) B.奥库扎娃作为一个人的精神和道德存在是由责任定义的,被解释为一个人对他或她在历史和社会中的地位的认识,以及一个人对他或她的行为负责的能力,以及对正在发生的事件的参与感。本文的研究成果可用于研究20世纪下半叶奥库扎娃的创作与历史散文。主要结论可用于讲座课程的准备。
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Historical Novels by B. Okudzhava: Some Aspects of Artistic Anthropology
The subject of the study in the article is literary anthropology, which is reflected in the historical prose of B. Okudzhava. The purpose of the analysis is to study some aspects of the literary anthropology of B. Okudzhava's historical novels. The methodology of the research is determined by the nature of the tasks set and is based on the historical-literary, socio-cultural method, as well as a holistic analysis of the work of art. The conclusions of the research characterize some principles of literary anthropology of B. Okudzhava: 1) for B. Okudzhava, the main carrier and measure of spiritual values is the Russian intelligentsia, while history in his novels acts as a con- text for moral verification of personality; 2) one of the most important ontological constants of human existence for B. Okudzhava is hope, invisibly present in life; 3) the human being of B. Okudzhava is characterized by ideas about conditionality, predestination and the inevitability of events and actions; 4) through all the novels of B. Okudzhava's leitmotif is the idea that there is no independent human freedom outside of history, and significant historical events cannot remain external even to an unwitting witness to them; 5) B. Okudzhava's spiritual and moral being of a person is defined by responsibility, interpreted as a person's awareness of his or her place in history and society, as well as the ability of a person to be responsible for his or her actions and feel involved in the events taking place. The results of the research conducted in this article can be used in the study of B. Okudzhava's creativity and historical prose of the second half of the XX century. The main conclusions can be used in the preparation of lecture courses.
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