尼日利亚精选视频影片中的妇女赋权和家庭暴力

Eziwho Emenike Azunwo, Florence Okosimiema Kalio
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摘要

在社会中,赋予女性权力的概念与赋予男性权力一样重要。研究表明,当人们被赋予权力时,他们会变得强大、独立,不那么容易受到任何人或群体的影响。对电影媒介的这项研究是极其重要的,因为它将有助于改变社会的思想,反对对妇女的家庭暴力。这是因为它对社会的发展有积极的帮助。本研究应用文本分析作为方法论工具来研究女性性别如何在尼日利亚流行的电影工业中被称为诺莱坞。被分析的视频影片包括:迈克尔·贾贾的《感谢光临》和《可爱的宝贝》。本研究采用有目的的抽样技术,得出这些录像,并观察到女性被赋予了权力;家庭暴力将会减少,因为赋权带来自由、实现以及抵抗和对抗敌人的力量。研究发现,家庭暴力可以是身体上的、经济上的、心理上的、情感上的等等,从而对妇女产生严重的负面影响。这里对女性的一些表现围绕着一些贬低女性的态度,使她们永远受到嘲笑;比如做家仆、调皮的妓女或其他充其量描绘尼日利亚妇女在社会上的负面形象的人。除非赋予妇女权力,否则她们将继续遭受家庭暴力,经常受到虐待等。这项研究并不否认,在一些女性战士电影中,女性也被赋予了超人的美德,然而,这里的关注是在诺莱坞倡导女性赋权,从而消除家庭暴力。因此,它认为,与其继续延续对女性的老式不人道,电影制作人和制片人应该顺应潮流,以更好的视角呈现女性,向社会表达她们的智慧。
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Women empowerment and domestic violence in selected Nigerian video films
Abstract The concept of women empowerment in the society is as vital as the empowerment of their male counterparts. Studies have shown that when people are empowered, they become strong, independent and less vulnerable or susceptible to anybody or group of persons. This study in the film medium is extremely crucial, since it will help in redirecting the minds of the society against domestic violence against the women. This is because it aids the development of the society positively. This study applies textual analysis as a methodological tool to examine how the feminine gender is represented in the popular Nigerian film industry called Nollywood. Among the video-films analyzed are: Michael Jaja’s Thanks for Coming and Gallant Babes. The study applied the purposive sampling technique to arrive at these video-films and observes that the female folks are empowered; there will be less domestic violence, since empowerment brings about freedom, realization, and power to resist and confront enemies. It discovers that domestic violence can be physical, economic, psychological, emotional, etc., thereby having serious negative consequences on the women. Some of the representations on women here revolve around some demeaning attitudes towards the women folks, subjecting them to perpetual ridicule; such as being domestic servants, mischievous prostitutes or others that at best paint a negative picture of the Nigerian woman in the society. Except women are empowered, they will continually experience domestic violence, regular abuses, etc. This research did not deny that instances abound where women are also invested with super-human virtues as in some woman-warrior films, the concern here however to advocate for women empowerment in Nollywood which lead to the eradication of domestic violence. Hence, it argues, that rather than continue to perpetuate old fashioned inhumanity on the women, filmmakers and producers should flow with the tide of presenting women in better light that express their resourcefulness to the society.
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