安德烈·巴利亚努表演的文化认同

Elfrida Koroliova
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引用次数: 0

摘要

安德烈·巴利亚努巧妙的、高度艺术性的表演进入了摩尔多瓦戏剧文化的黄金基金。他的表演文化和公民身份——由鲍里斯Kabur罗普,尼科莱果戈理的喜剧检察长,威廉·莎士比亚的悲剧《罗密欧与朱丽叶》,当晚的月食Mustai卡里姆,heroic-romantic玩Th e蓝色鹿的阿列克谢•Kolomiets引人注目的时钟的玩独奏Osvald Zahradnik,生产戏剧奖金由Alexandr >戏Th e降低深度马克西姆•高尔基,爱德华多·德·菲利普的喜剧男人和绅士,《百灵鸟》J.阿努伊著。以文化、国家和公民身份为特色的表演——根据伊翁·波多莱亚努的戏剧《大地》改编的民谣《天堂之门》、根据伊翁·克里安加的故事改编的戏剧《白色荒原》、伊翁·卢卡·卡拉吉尔的戏剧《暴风雨之夜》,以及赋予现代声音的剧作家文本中隐藏的意义。
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Cultural identity of Andrei Baleanu’s performances
Clever, highly artistic performances by Andrei Baleanu entered the golden fund of the Moldovan theatrical culture. His performances are distinguished by cultural and civic identity - Rops by Boris Kabur, the comedy Inspector General by Nicolai Gogol, the tragedy Romeo and Juliet by William Shakespeare, On the Night of the Lunar Eclipse by Mustai Karim, the heroic-romantic play Th e Blue Deer by Alexei Kolomiets, the play Solo for a Striking Clock by Osvald Zahradnik, the production drama Bonus by Alexandr Gelman, the play Th e Lower Depth by Maxim Gorky, the comedy Man and Gentleman by Eduardo de Filippo, Th e Lark by J. Anouilh. Performances that are distinguished by cultural, national and civic identities - the ballad At the Gates of Paradise based on the play Earth by Ion Podoleanu, the play Th e White Moor based on the story by Ion Creanga, the play A Stormy Night by Ion Luca Caragiale, to the hidden meanings in the text of the playwright to which was given a modern sound.
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