《丽贝卡》中三位主人公的人格特征研究

Libing Li
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摘要

20世纪英国著名女作家达芙妮·杜穆里埃的《丽贝卡》是一部充满悬念和神秘色彩的杰作。自1938年出版以来,它在读者中引起了相当大的轰动,并立即成为畅销书,从未绝版。在对小说的现有研究中,大多数学者将重点放在人物分析、女性主义批评、叙事学、哥特写作和精神分析等方面。然而,从荣格的原型理论对主人公人格的分析很少,更没有人在荣格的人格理论下对三个主人公的人格进行全面的研究。本文通过对男主人公马克西姆和女主人公丽贝卡和“我”的人格分析,探讨导致她们人格失衡的原因,希望能为揭示小说主题和解读达芙妮·杜穆里埃的双性恋困境提供新的途径。本文主要分为三个部分。第一部分首先对国内外对小说的研究进行了综述,然后介绍了荣格的人格理论。第二部分详细分析了三位主人公的人格特征:马克西姆的过度发展人格、无名叙述者的不发达人格和丽贝卡的平衡人格;最后一部分主要从社会背景和达芙妮·杜穆里埃对自己双性恋的矛盾心理两个方面探讨造成她们不同角色的原因。
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STUDIES ON PERSONA OF THE THREE PROTAGONISTS IN REBECCA
Rebecca, written by Daphne du Maurier, the well-known British female writer in 20th century, is a masterpiece suffused with suspense and mystery. Since its publication in 1938, it had caused quite a sensation among readers and became an instant best seller that had never gone out of print. In the existing studies of the novel, most scholars laid their emphasis on character analysis, feminism criticism, narratology, gothic writing and psychoanalysis. However, the analysis of the personality of the Protagonist from Carl Jung’s Archetypal theory is rarely seen, moreover, no one has yet made a comprehensive study of the persona of three protagonists under Jung’s persona theory. By analyzing the persona of both the male protagonist, Maxim, and the two female protagonists, Rebecca and “I”, and exploring reasons resulting in their imbalanced persona, hopefully this paper could render a new approach to reveal the theme of the novel and interpret Daphne du Maurier’s dilemma in her bisexuality. In this paper, three parts are presented. The first part initially makes a survey of previous studies on the novel both at home and abroad, and then introduces Carl Jung’s persona theory. The second analyzes the three protagonists’ persona in detail: Maxim’s overdeveloped person, the nameless narrator’s underdeveloped persona and Rebecca’s well-balanced person; the last part explores reasons resulting in their different personas, mainly from two perspectives: the social background and Daphne du Maurier’s ambivalence about her bisexuality.
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