{"title":"摄影团结:越南战争期间的摄影和古巴国际主义","authors":"M. Chase","doi":"10.1215/21582025-10365006","DOIUrl":null,"url":null,"abstract":"\n This article studies the use of photography in the construction of solidarity between Cuba and Vietnam during the war years. It shows the way photography helped illustrate and articulate Cuba's evolving understanding of the Vietnam War as a conflict that was analogous to, and in some ways the culmination of, Cuba's own revolution. While Cuba enthusiastically embraced and disseminated photographs from Vietnam, the meanings attached to these photos were also modified to speak to domestic concerns. By focusing on the images used in two specific solidarity campaigns devoted to imprisoned activist Võ Thị Thắng and “martyr” Nguyễn Văn Trỗi, the article explores the way Cuban understandings of acceptable forms of revolutionary violence and its gendered expressions shaped the meanings attributed to these two figures.","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Picturing Solidarity: Photography and Cuban Internationalism during the Vietnam War\",\"authors\":\"M. Chase\",\"doi\":\"10.1215/21582025-10365006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article studies the use of photography in the construction of solidarity between Cuba and Vietnam during the war years. It shows the way photography helped illustrate and articulate Cuba's evolving understanding of the Vietnam War as a conflict that was analogous to, and in some ways the culmination of, Cuba's own revolution. While Cuba enthusiastically embraced and disseminated photographs from Vietnam, the meanings attached to these photos were also modified to speak to domestic concerns. By focusing on the images used in two specific solidarity campaigns devoted to imprisoned activist Võ Thị Thắng and “martyr” Nguyễn Văn Trỗi, the article explores the way Cuban understandings of acceptable forms of revolutionary violence and its gendered expressions shaped the meanings attributed to these two figures.\",\"PeriodicalId\":368524,\"journal\":{\"name\":\"Trans Asia Photography\",\"volume\":\"5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Trans Asia Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/21582025-10365006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Trans Asia Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/21582025-10365006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文研究了在战争年代,摄影在古巴和越南之间的团结建设中的应用。它展示了摄影是如何帮助阐释和表达古巴对越南战争的不断演变的理解的,越南战争是一场类似于古巴自己革命的冲突,在某种程度上是古巴革命的高潮。虽然古巴热情地接受和传播来自越南的照片,但也修改了这些照片的含义,以反映国内的关切。本文聚焦于狱中活动人士Võ thnguyen Thắng与“殉道者”Nguyễn v Trỗi两场声援运动中使用的影像,探讨古巴人对可接受的革命暴力形式及其性别表达的理解,如何塑造这两位人物的意义。
Picturing Solidarity: Photography and Cuban Internationalism during the Vietnam War
This article studies the use of photography in the construction of solidarity between Cuba and Vietnam during the war years. It shows the way photography helped illustrate and articulate Cuba's evolving understanding of the Vietnam War as a conflict that was analogous to, and in some ways the culmination of, Cuba's own revolution. While Cuba enthusiastically embraced and disseminated photographs from Vietnam, the meanings attached to these photos were also modified to speak to domestic concerns. By focusing on the images used in two specific solidarity campaigns devoted to imprisoned activist Võ Thị Thắng and “martyr” Nguyễn Văn Trỗi, the article explores the way Cuban understandings of acceptable forms of revolutionary violence and its gendered expressions shaped the meanings attributed to these two figures.