宗法宗派主义的宗派主义象征:爪哇的活古兰经和大维萨满

Syamsul Bakhri, A. Hidayatullah
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引用次数: 6

摘要

安瓦扬是过去《罗摩衍那·摩诃婆罗多史诗》的改编作品,当然充满了印度教的价值。描述性定性研究采用图书馆研究的方法,旨在通过wayang谱系的构成,找出多神教符号的去神化。这些数据的有效性是通过三角化数据源获得的,通过整合来自不同语言谱系的期刊和书籍的数据,然后通过Koentjaraningrat的文化适应理论进行分析。结果表明,瓦里松戈是新形态的wayang的创造者和作曲家。伊斯兰教和印度教之间的差距,特别是在神学方面,多神论通过形成一个新的wayang谱系,提出了多神论符号的去神圣化。变化也改变了史诗《罗摩衍那·摩诃婆罗多》故事的价值,这个故事之前以Trimurti为中心,变成了先知Sis的nasab,然后是先知亚当,这是一种没有孩子的神一神教的象征,正如《古兰经》所写的;瓦里松戈很有说服力地改变了wayang血统和da'wah,没有在社区中引起任何冲突,甚至没有流血。
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Desakralisasi Simbol Politheisme dalam Silsilah Wayang: Sebuah Kajian Living Qur’an dan Dakwah Walisongo di Jawa
An Wayang is an adoptive creation from the Ramayana Mahabharataepic in the past that certainly full of Hinduism value. Descriptivequalitative research use library study approach aims to find out thedesacralization of symbols of polytheism through the composition ofwayang lineages. Those data validity is obtained by triangulating datasources, By integrating data from journals and books on wayanglineages then analyzed by the acculturation theory of Koentjaraningrat.The results showed that Walisongo was the creator and composer ofwayang in new shape. Gap between Islam and Hinduism, especially onthe theological side, polytheism raises the desacralization of symbols ofpolytheism, through the formation of a new lineage of the wayang. Thechange also changes the value of the epic Ramayana Mahabharata storythat is centered on Trimurti before, to the nasab of the Prophet Sis thenthe Prophet Adam which is a representation of the symbol of Godmonotheism that does not have children, as writen in Al Qur’an; Changesin the wayang lineage and da'wah were carried out persuasively byWalisongo without causing any conflict in the community, evenbloodshed.
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