论音乐软件中物理操纵器与虚拟操纵器的友好性——基于软件开发者的视角

Jacek Wachowicz, Andrzej Karp, Pawel Kossecki
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引用次数: 0

摘要

现代录音是基于电脑录音和电脑编辑。因此,事实上,对于现代音乐家来说,一个真正的、完整的工具,在大多数情况下,不仅仅是一个乐器,而是一个由强大的软件工具支持的乐器,其中可以使用屏幕上显示的虚拟控制器或使用类似于经典设备中使用的开关、滑块或旋钮等物理操纵器输入控制值。这项研究的目的是找到以下问题的答案:“在你看来,物理操纵者比虚拟操纵者更好吗?”为什么?操控者越多就越好吗?有最优数量吗?如果有,那是什么?第二个问题是,“您使用什么方法来限制操作符的数量并缩短程序处理程序?”本研究采用深度访谈法,以混合方式进行,作为对音乐软件开发人员进行更广泛访谈的一部分,内容涉及HCI因素以及创建现有音乐设备模拟器和创建全新音乐软件(包括插件)之间的感知差异。受访者的选择包括,一方面,在世界市场上最知名的波兰插件公司之一- PSP audioware,其中对所有所有者和集团成员进行了采访,由于他们的专业化,允许采用多学科方法;另一方面,国际知名的创作者为d16小组,newfangledaudio和Eventide工作。
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On the Friendliness of Physical vs. Virtual Manipulators in Music Software - from a Perspective of Software Developers
Modern recordings are based on computer recording and computer editing. Therefore, in fact, a real, complete tool for a modern musician is, in most cases, not only an instrument but an instrument supported by powerful software tools, in which control values may be entered using virtual controllers displayed on the screen or with physical manipulators like switches, sliders or knobs, similar to those used in classical devices. The aim of this research was to find answers to the questions: “Are physical manipulators, in your opinion, better than virtual ones? Why? Does having more manipulators always mean better? Is there any optimal number of them? If so, what?” and a second one, “What methods do you use to limit the number of manipulators and shorten the program handlers?” The study was carried out using the in-depth interview method in a hybrid way, as a part of a broader interview with music software developers about HCI factors and the perceived differences between creating emulators of existing music devices and creating completely new music software, including plugins. The selection of respondents included, on the one hand, one of the most recognizable Polish plug-in companies on the world market - PSP audioware, where interviews were conducted with all owners and members of the group, which, due to their specialization, allowed for a multidisciplinary approach; and on the other hand, internationally known creators working for the D16group, Newfangled Audio and Eventide.
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