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摘要

在听觉圈探索的背景下,对喀尔巴阡山脉/罗马山脉(Bergitka Roma)的研究建立了创新的背景,其主要目的是发现过去和现在的群体功能空间,其遗产,文化以及与外界的人际关系。对Bergitka Roma社区的健全研究的新颖性与以往探索的缺乏有关。波兰斯洛伐克边境的罗姆人城镇的声音主要是通过歌曲记录下来的,目的是为了收集民族志和民间传说的材料,在这种情况下,文本和音乐比声音本身具有特殊的作用。声音研究为当前人们对罗姆音景的认识开辟了一条全新的途径。对喀尔巴阡罗姆人的合理研究,由于其跨学科的特点,为许多科学学科带来了重要的认知益处,并为进一步的探索开辟了新的途径。在本文中,我将重点介绍在斯洛伐克边境地区研究期间收集的实地记录。我将展示与罗马世界音景相关的第一个结果。我将提请注意声音圈的边界方面,如文化大熔炉、区域的历史和传统、神圣与世俗、外来者和社区成员。这项工作的关键问题还在于表明罗姆人的声音圈是他们世界的一个独特元素,可以保护他们的传统和自己的身份。
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Borderland of sounds Audiosphere of Bergitka Roma world
Studies on the Carpathian / Mountain Roma (Bergitka Roma) in the context of audiosphere exploration build innovative contexts whose main aim is to discover the past and present space of group functioning, its heritage, culture, as well as interpersonal relations with outsiders. The novelty of sound research of Bergitka Roma community concerns the lack of previous explorations. The sounds of the Roma towns on the Polish-Slovak border were recorded mainly through songs in the context of collecting materials for ethnographic and folklore purpose, where a special role was attached to text and music than sounds themselves. Sound studies open a completely new approach to the current recognition of Roma soundscape, which in many aspects remain unknown. Sound studies among the Carpathian Roma bring important cognitive benefits for many scientific disciplines due to their interdisciplinary character and open new paths for further exploration. In this paper, I will focus on field recording gathered during research in borderland with Slovakia. I will present first results connected with soundscape of Roma world. I will draw attention to borderland aspects of audiosphere such as cultural melting pot, history and tradition of region, sacred and profane, outsiders and community members. The key issue of this work is also to show that Roma audiosphere is a unique element of their world which protect tradition and own identity.
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