Anna Strnadlová
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引用次数: 0

摘要

1948年2月以后,捷克斯洛伐克的文化领域发生了巨大变化。艺术团体和俱乐部解散了;那些不想被社会主义现实主义束缚的艺术家们别无选择,只能把自己关在家里和工作室里。然而,1950年后,一群朋友在布拉格的Jiří Kolář周围形成,他们对政治和文化发展有着相同的看法,尽管艺术取向不同,但他们用图片或文字捕捉日常经验。本文以Jiří Kolář, Vladimír Fuka, Eva Fuka, zden k Urbánek, Jan Rychlík, Kamil Lhoták, Jan hannik, Josef Schwarz-Červinka, Emanuel Frynta等人的友谊为重点,试图描绘这段时间,他们相互的灵感和关系,尤其是在这个友好的圈子里产生的极具创造性的氛围。这篇论文是基于他们在这个独特、自由、鼓舞人心的环境中共同创作的日记、绘画、拼贴画、诗歌和文学文本。
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Tichá přátelství: Vladimír Fuka, Eva Fuková, Jiří Kolář, Zdeněk Urbánek, Jan Rychlík, Kamil Lhoták, Josef Schwarz-Červinka, Jan Hanč a Emanuel Frynta
The period after February 1948 meant great change for the cultural sphere in Czechoslovakia. The art groups and clubs were dissolved; artists who did not want to squeeze into the limits of socialist realism had no choice other than to close themselves in the privacy of their homes and studios. However, after 1950, a group of friends formed around Jiří Kolář in Prague, having shared the same views on political and cultural development and, despite various artistic orientations, captured everyday experience in pictures or texts. This article focuses on the friendship of Jiří Kolář, Vladimír Fuka, Eva Fuka, Zdeněk Urbánek, Jan Rychlík, Kamil Lhoták, Jan Hanč, Josef Schwarz-Červinka, Emanuel Frynta, and others, and tries to portray this period of time, their mutual inspirations and relationships, and especially the extremely creative atmosphere, which was originated in this friendly circle. This thesis is based on diary entries, drawings, collages, poems, and literary texts which they created together and for each other in this unique, free, and inspiring environment.
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