关系中的道德困境与谈判:一项绩效研究

Aarati Regmi
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摘要

《别离》是一部家庭剧,反映了人们生活中的挣扎和谈判。这部电影围绕着一对德黑兰中产阶级夫妇在哪里以及如何生活和进一步搬家方面的分歧而展开,这导致了越来越多的冲突。Nader和Simin的部分分裂只是将整个家庭推向问题的原因之一。故事安静而巧妙地结合了家庭情节剧和法律惊悚片的元素。本文通过文本分析,探讨了影片中人物的表现策略,并抓住了城市生活的挫折;它不仅反映了现代伊朗的生活,也反映了全球的日常生活。因此,本文从Ervin Goffman的戏剧方法来研究这部电影,因为它很好地拥抱了人类恢复的行为,包括冲突,关系,秘密和日常生活中的其他元素。它还强调人们在日常生活的前台和后台展示自己的方式。然而,它显示了人们在日常关系中的表现以及他们对此的反应。此外,本文描绘和反映了每个家庭都坚持道德困境和关系谈判,但它是复杂的和多方面的。
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Moral Dilemmas and Negotiations in a Relationship: A Performance Study
A Separation, a family drama, reflects the struggle and negotiations within people's life. The film revolves around a middle-class Tehran couple's disagreement over where and how to live and move further leads to the growing conflict. Nader and Simin's partial split becomes only one of the reasons that push the whole family into a problem. The story quietly and cleverly combines elements of family melodrama and legal thriller. With a textual analysis, this paper addresses the performance strategies of characters, besides, the movie captures the frustrations of city life; it reflects not only the modern Iranian life but every everyday life of the globe. So, this paper studies the film from Ervin Goffman's dramaturgical approach as it finely embraces human-restored behavior that includes conflict, relationships, secrets, and other elements in everyday life. It also emphasizes the way people present themselves in front and backstage of their everyday life. However, it displays peoples’ performance in their daily relationships and how they react toward it. Furthermore, this paper depicts and reflects that every family adheres to moral dilemmas and relationship negotiations, yet it is complex and multi-faceted.
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