《萨拉曼与abab》中的性别主义话语与米佐金元素

Necmiye ÖZBEK ARSLAN
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摘要

女性被视为具有生育能力和保护能力等高品质的两种基本资产之一,构成了存在的等价物,但随着时间的推移,女性遭遇了性别歧视的仇恨言论。在这种论述中,女性被视为毫无价值,不祥和邪恶的来源,作为不能生产的妃子,需要一个男人,在权力面前受到压迫,为她的男人服务。人们认为,这一概念的起源,即厌女症,是一神论宗教,他们的神圣文本和宗教的影响,社会变革,中世纪欧洲人类生活中的经济力量,在这种情况下,女性形象在社会生活中角色的变化。在土耳其文学话语中,我们可以看到,在以马游牧为主的时期,高山勇敢的女性类型在口头文化和文学文化中都占据主导地位。女人;她被提到了积极的概念,如战士,有福的,明智的,至高无上的个人,她的话被倾听,母亲,生育的象征。随着向定居生活的过渡,妇女的社会地位也发生了一些变化。女人已经变成了一个照顾家庭和孩子的人,满足家庭的所有必需品,为父权服务。随着突厥人与伊斯兰教的接触,妇女在很大程度上被隔离在户外,妇女的社会发展几乎停止了。19世纪以来,在西方文化的影响下,社会选择赋予女性新的价值,重新认识女性,概念化女性,赋予女性个体新的社会地位。本研究以l米î Çelebi的《salam u absl Mathnawi》为背景,试图从厌女话语、这些话语的宗教和神话来源、对女性进行比较的隐喻等方面来反映作品创作时期女性的观点。
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Mizojinic Elements and Genderist Discourses in the Mathnawi Named Salaman u Absâl
Women, who are seen as one of the two basic assets that have high qualities such as fertility and protection, and that constitute the equivalence of existence, have encountered sexist hate speech over time. In this discourse, women were seen as worthless, ominous and the source of evil, as a concubine who could not produce, in need of a man, oppressed in the face of power and serving her man. It is thought that the origin of this concept, which is expressed as misogyny, is monotheist religions, their sacred texts and the influence of religion, social change, economic power in human life in medieval Europe, and in this context, the change in the role of the female figure in social life. In Turkish literary discourses, it is seen that the alpine-valiant woman type dominates both oral and literary culture during the period when the horse-nomadic dominates. Woman; she has been mentioned with positive concepts such as warrior, blessed, wise, supreme individual whose word is listened to, mother, symbol of fertility. With the transition to settled life, there have been some changes in the social status of women. The woman has turned into a being who takes care of the house and children, fulfills all the necessities of the house and serves the patriarchy. With the meeting of the Turks with Islam, women were largely isolated from the outdoors, and the social development of women was almost stopped. Since the 19th century, with the influence of Western culture, the society has chosen to give a new value to women, to re-recognise them, to conceptualize them and to give a new social status to the woman individual. In this study, in the context of Lâmi'î Çelebi's Salamân u Absâl Mathnawi, misogynistic discourses, religious and mythological sources of these discourses, metaphors in which women are compared, have been tried to reflect the perspective of women in the period when the work was written.
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