{"title":"“摄影”:导论","authors":"D. Dewan","doi":"10.1215/21582025-9710552","DOIUrl":null,"url":null,"abstract":"\n This editor's introduction to the issue explores the instability of photography as a material object and as a concept and how photography in and of the geopolitical imaginary of Asia expands notions of the photographic.","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"369 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Photography”: An Introduction\",\"authors\":\"D. Dewan\",\"doi\":\"10.1215/21582025-9710552\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This editor's introduction to the issue explores the instability of photography as a material object and as a concept and how photography in and of the geopolitical imaginary of Asia expands notions of the photographic.\",\"PeriodicalId\":368524,\"journal\":{\"name\":\"Trans Asia Photography\",\"volume\":\"369 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Trans Asia Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/21582025-9710552\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Trans Asia Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/21582025-9710552","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This editor's introduction to the issue explores the instability of photography as a material object and as a concept and how photography in and of the geopolitical imaginary of Asia expands notions of the photographic.
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