城市社区形象的商品化:励志名言和摩天大楼照片的Instagram案例研究

Azkiya Nisa, M. R. Widhiasti, E. Dewi
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摘要

科技的飞速发展,尤其是社交媒体Instagram,将人们的日常生活和城市环境带入了视觉文化的领域。Instagram的年轻用户目前正在分享以摩天大楼为背景的活动和工作中采用的励志名言。鼓舞人心的报价和摩天大楼照片的趋势体现了社区的定位,这是一种生活方式或印度尼西亚城市文化的典型现象。这篇文章试图通过使用Instagram,利用年轻人拍摄的建筑图像,发布鼓励空间生产-消费的短语和模式,来调查社会形象。本文采用社会符号学的方法,采用定性研究方法。本文还讨论了居伊·德波1967年的社会景观理论和后现代主义视角。Instagram用现代社会和令人惊叹的大都市地区的照片创造了一个二分法。通过Instagram上艺术描绘的公共生活表演,在资本主义背景下讨论消费和自我商品化。因此,一种新的城市空间冲突概念出现了。一方面,存在着一个理想化的公共生活和城市空间的写照,而一个人口密集的城市的另一面却被忽视了。本研究仅限于社交媒体平台Instagram和印度尼西亚雅加达大都市区。以前从未有过关于城市环境与社交媒体融合的讨论。
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Commodification of the Urban Community Image: An Instagram Case Study of Motivational Quotes and Skyscraper Photo
Rapid technology advancements, particularly social media Instagram, have brought people’s daily lives and urban environments into the domain of visual culture. Instagram’s young users are presently sharing motivational quotes adopted in activities and work with the use of a skyscraper as a background. The trend of encouraging quotes and skyscaraper photographs exemplifies the community’s orientation, which refers to a lifestyle or a typical phenomenon of Indonesian urban culture. This article intends to investigate the image of society by using Instagram to post encouraging phrases and patterns of space production-consumption using images of buildings taken by young people. The method of social semiotics was employed in this article with qualitative approach. Guy Debord’s Spectacle of Society (1967) theory and the postmodernist perspective are also discussed. Instagram creates a dichotomy with its picture of modern society and stunning metropolitan areas. Consumption and self-commodification are discussed in the context of capitalism through artistically potrayed public life performances on Instagram. As a result, a new concept of conflicting urban spaces emerges. On the one hand, an idealized portrayal of communal life and urban space exists, while the other side of a city with dense populations is ignored. This study is limited the social media platform Instagram and the Jakarta metropolitan area in Indonesia. There has never been a conversation about the convergence of urban settings with social media as a spectacle before.
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