死者大厅舞蹈作为公共社会团结场所Rote Ndao

Yoggy Hermondi Manu, Tony Tampake
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摘要

凯巴莱死亡舞蹈起源于罗特恩道岛。这种舞蹈是不分社会地位和宗教的集体表演。这个过程是通过形成一个圆圈,手牵着手,然后跟随诗歌的节奏进行集体的脚和手的运动。克巴莱死亡之舞的目的是让留在身后的家人有耐心和毅力,以免在长期的悲伤中拖下去。本研究的目的是确定通过Kebalai死亡舞蹈的价值观在死记硬背社会形成社会团结的过程。本研究采用民族志研究类型的描述性定性方法。数据收集是通过在罗特恩道进行的访谈和观察进行的。本研究发现,克巴莱死亡舞通过克巴莱死亡舞所代表的团结、平等、团结和舒适的价值观,形成公共空间的机械团结。本研究认为,克巴莱死亡舞蹈所形成的空间是整个罗特族共同的空间、共同的立足点、融合在一起、集体的士气,为经历悲痛的家庭提供安慰。
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Tarian Kebalai Kematian Sebagai Ruang Publik Solidaritas Sosial Masyarakat Rote Ndao
The Kebalai death dance originates from the island of Rote Ndao. This dance is performed en masse regardless of social status and religion. The process is carried out by forming a circle, holding hands, then followed by a collective foot and hand movements following the rhythm of the poem. The Kebalai death dance aims to give the family left behind patience and fortitude so as not to drag on in prolonged grief. The purpose of this study is to determine the process of forming social solidarity that occurs in Rote society through the values of the Kebalai death dance. This research uses a descriptive qualitative method with an ethnographic research type. Data collection was carried out through interviews and observations conducted in Rote Ndao. This research found that the Kebalai death dance forms public spatial mechanical solidarity through the values of togetherness, equality, unity, and comfort represented in Kebalai death dance. This research concludes that the spatial formed in the Kebalai death dance is a shared spatial, joint footing, melting together, and collective morale of the entire Rote community to provide comfort to families who experience grief.
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