浮世绘意识下韩日风俗画联展内容的必要性研究

J. Kang
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引用次数: 0

摘要

本研究的目的是探讨浮世绘可以呈现给不同公众的功能和意义。浮世绘是一种侧重于描绘现实而不是描绘理想世界、过去和未来的绘画。浮世绘以木版版画为基础,追求批量生产,通过低价确保价格竞争力,描绘原初的欲望、大众化、游戏性和及时行乐的趋势。正如日本浮世绘具有确保痛苦现实的正义性的功能一样,朝鲜时代的风俗画也具有恢复现实正义性的功能。前者在世界范围内流行和流行,并对西方印象派画家产生了影响,而后者却不太被认可。在地域特色文化产品竞争激烈的全球化时代,韩国民俗和日本浮世绘具有独特的价值。因此,有必要通过在展馆内举办展览和联合展览活动内容,利用浮世绘的意识,促进两国的风俗习惯,促进积极的文化交流,提高认识,满足旅游消费者的需求,振兴当地经济。
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A Study on the Necessity of Contents for Joint Exhibition of Korean-Japanese Genre Paintings Using Ukiyoe's Awareness
The purpose of this study is to discuss the functions and meanings that Ukiyoe could present to various publics. Ukiyoe is a painting that focuses on depicting reality rather than depicting the ideal world, past, and future. Based on woodblock prints, Ukiyoe pursues mass production, securing price competitiveness through low prices, depicting original desires, popularity, playfulness, and carpe diem tendencies. Just as Japanese Ukiyoe has the function of securing the positivity of painful reality, Korean genre paintings of the Joseon Dynasty also have the function of restoring the positivity of reality. While the former gained worldwide popularity and fashion and exerted an influence on Western Impressionist painters, the latter has less recognition. In the era of globalization, where cultural products with regional distinctive characteristics are competitive, Korean folklore and Japanese Ukiyoe have unique values. Therefore, it is necessary to promote active cultural exchange, increase awareness, meet the demands of tourism consumers, and revitalize the local economy by holding expositions and joint exhibition event contents in the pavilion to promote the customs of both countries by using the awareness of Ukiyoe.
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