诗?

Floris Bernard, K. Demoen
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引用次数: 0

摘要

本章概述了拜占庭人是如何将“诗歌”概念化的。它认为,从拜占庭的角度来看,诗歌与散文的区别只在于形式上,即诗歌是用韵文写成的。散文和诗歌都属于logoi的范畴,这是唯一经常使用的标签,而“诗歌”一词则是为学校学习的古诗保留的。许多作家认为(并利用)他们自己的散文文本和诗歌之间的差异主要是形式上的差异。然而,诗歌确实有一些与散文不同的功能,即使这些功能对我们来说是意想不到的。从道德的角度来看,诗歌被视为一种受约束的话语形式,因此“受约束的话语”的质量获得了一种精神层面。最后,本章简要概述了(学术)诗歌作为媒介选择的社会背景:作为碑文,作为广泛意义上的文本,作为个人内省的一部分,作为谩骂,作为总结(通常具有说教性质),以及作为高度公开的仪式作品。
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Poetry?
This chapter gives an overview of how Byzantines conceptualized “poetry.” It argues that from the Byzantine point of view, poetry only differs from prose in a very formal way, namely that it is written in verse. Both prose and poetry belonged to the category of logoi, the only label that was very frequently used, in contrast to the term “poetry,” which was reserved for the ancient poetry studied at schools. Many authors considered (and exploited) the difference between their own prose texts and poems as a primarily formal one. Nevertheless, poetry did have some functions that set it apart from prose, even if these features are for us less expected. The quality of “bound speech” gained a spiritual dimension, since verse was seen as a restrained form of discourse, also from a moral point of view. Finally, the chapter gives a brief overview of the social contexts for which (learned) poetry was the medium of choice: as an inscription, as paratext in a wide sense, as a piece of personal introspection, as invective, as summaries (often of a didactic nature), and as highly public ceremonial pieces.
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The Reception of Classical Literature and Ancient Myth Orality and Textuality (With an Appendix on the Byzantine Conceptions) Neo-Latin Languages Authors(With an Excursus on Symeon Metaphrastes) Thoughts on the Recent Past and the Future of Byzantine Literary Studies
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